Canadian artist Robert Bateman is known for his realistic paintings, but that wasn’t always his style | Newz9

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Canadian artist Robert Bateman is known for his realistic work of wildlife and nature, each feather and every twig a mirrored image of what one would see. 

But he hasn’t always painted that method. In his a few years as an artist, he is experimented with different kinds. 

Some of his work, from the Nineteen Forties till now, is being showcased in a brand new exhibition on the Penticton Art Gallery this month, entitled Unexpected Bateman

Bateman, 94, began portray as a younger boy and did his first “serious” portray at age 12 — a picture of an elk. 

“All little kids love doing art, but most normal human beings grow up around the age of 12 or so on and go on to more grown up, mature things,” he stated throughout an interview on CBC’s North by Northwest. I simply haven’t but reached that stage.”

He never took art classes but spent time at the Royal Ontario Museum, where he fell in love with ornithology, the study of birds. 

“The museum children class could be over, but I might then go, and I’d made buddies with a number of the employees behind the scenes… and have become type of a museum groupie,” Bateman said. 

As he entered his teens and then into his 20s, Bateman remembers gathering with friends — a group of teachers from the Ontario College of Art & Design — two or three times a year to sing folk songs, old classics like On Top of Old Smokey and You Are My Sunshine

White-tailed Deer, 23″ x 18”, oil on cardboard, 1960. This piece reveals the melding of Bateman’s experimentation with summary artwork and wildlife. (Robert Bateman)

He used that connection to study “real art” and began portray extra expressionist works — which, as a naturalist, he discovered unsatisfying.

“What is important to a naturalist is particularity,” he stated.”I can’t just be a wild slap-on-paint artist and be a naturalist.”

Impressionistic painting of sun rising over mountains.
Grace Lake, 18″ x 24″, oil on board, 1959. This piece was the beginning of Robert Bateman’s experimenting with kinds aside from realism. (Robert Bateman)

Art over nature

Nature has always been an enormous a part of Bateman’s life, but he is ever so barely extra dedicated to artwork than to nature. 

This is obvious in his portray, Red-winged Blackbirds & Rail Fence, from 1978.  As famous on his web site, as soon as he completed the portray, an ornithologist buddy instructed him the dominant fowl wouldn’t usually permit itself to get under the subdominant fowl — as proven in his portray.

A painting of water reflected through a fence as a red-winged blackbird flies near it.
Red-winged Blackbirds & Rail Fence, 36″ x 48”, acrylic on board, 1978. (Robert Bateman)

“This scientific flaw bothers me, but not sufficient to vary the composition. I always attempt to reconcile artwork and nature in my work, but if I had to decide on between them, I might select artwork,” he said on his website.

Earlier this year, he told Canadian Geographic that he considers himself 51 per cent artist and 49 per cent naturalist. 

“If I ever have a battle between artwork and nature, I let artwork win,” he told CBC.  “I’ll distort nature a bit for the sake of the composition or the distinction or no matter I’m after, but they’re so near being equal it actually does not matter.”

A small silver sculpture in bronze of a peregrine falcon on a pedestal.
Peregrine in Flight, a bronze sculpture by Robert Bateman. (Submitted by Penticton Art Gallery)

Sharing nature with family

Aside from art, nature is number one, and he endeavours to share that passion with his family. 

Bateman has five children, who he said he often travelled with when they were growing up. 

As they drove across the country, the kids would get rewards for identifying birds. 

A painting of an eagle overlooking water atop a large hill.
A Robert Bateman painting of an eagle sitting atop the bluffs at Helliwell Provincial Park on Hornby Island. (Robert Bateman)

Now a grandfather, he tries to keep his grandchildren’s eyes on nature instead of screens. 

“I inform them I do not approve of spending a number of time indoors on screens,” he said. “I do not need to see them on a display. They cannot be blatant about it. Maybe they’re secretive about it, but I feel it is a unhealthy factor, and I feel they need to be outside or wanting outside.”

If we don’t pay attention to nature, Bateman worries our ecosystems could disappear without anyone realizing. 

“It enriches your life a lot to be looking at what is occurring on the earth. We’re particularly fortunate in Canada,” he said. “How the seasons change, how the primary pussy willows are beginning to come out and all these great little occasions that happen. If you are simply taking a look at a display, you are lacking out on what the world is.”

Seagulls in an off-beige colour blend into a similarly coloured canvas.
A painting depicting seagulls by Canadian artist Robert Bateman. (Robert Bateman)

At 94, he said he won’t stop painting until the end.

“I’m certain they are going to carry me out,” he said with a laugh. “You’ll see my fingers nonetheless flickering. It’s one thing I’ve always finished. I can not not do it.”

Ever the humble painter, Bateman said it would be “pretentious” of him to assume he’ll leave a legacy but hopes he can inspire others to care about the planet. 

“If I do, it could be to get folks to concentrate to the world of nature and what we’re doing to it.”

LISTEN | Robert Bateman on nature, art and his legacy

North by Northwest16:02Iconic artist Robert Bateman on his upcoming retrospective exhibition in Penticton

Iconic artist Robert Bateman joins NXNW from his residence on Saltspring Island to speak about his upcoming retrospective exhibition, Unexpected Bateman, on the Pentiction Art Gallery.

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