Glastonbury live: SZA headlines Pyramid stage after Shania Twain, Burna Boy and more

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Also simply completed on West Holts are the dapperest of dauphins, French duo Justice. Their set is being replayed on the Glastonbury channel on iPlayer although, for anybody who desires to catch it once more. They’re simply stomping by Genesis in the mean time, and it sounds BASSY.

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Laura Snapes

The National’s Matt Berninger tightrope-walked the barrier throughout Mr November, which got here after Fake Empire, a tune he mentioned “keeps getting more and more appropriate – it’s really depressing”. The former touches on hubris and hope in politics (and was utilized in a video by the Obama marketing campaign); the latter abandonment by it. In the week of Joe Biden’s worrying debate efficiency, the pair tackle a brand new poignancy.

The National at Other stage. Photograph: Jonny Weeks/The Guardian
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And that’s that. A brisk Sunday night time set, maybe comprehensible given SZA solely has two albums to select from. But she managed to cram in two costume modifications, a large ant, a shimmy up a tree trunk and a sizeable variety of hits in that point. Alexis Petridis’s evaluation shall be with you shortly.

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SZA, sensing her crowd won’t precisely be historic, dedicates 20 Something to the twentysomethings within the crowd, hopping off the stage to serenade the phone-waving entrance row. “I was so nervous about this”, she says, echoing, oddly, the Zutons earlier in the day.

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SZA has been teasing her subsequent album Lana since September final yr – though it’s unlikely to be with us for a while (she notoriously takes ages honing her albums – it was 5 years between Ctrl and its followup SOS). But right here’s a taster within the type of current single Saturn, a twinkly, mild quantity about escaping planet Earth.

Another costume change: SZA has now sprouted wings and is clambering up a tree stump for Nobody Gets Me. The common age for this Pyramid crowd is extraordinarily younger, and extraordinarily eager – making up for the marginally low numbers within the area with sheer noise.

Before SZA sizzled on the Pyramid, Burna Boy was burning it up. Here’s Jason Okundaye’s evaluation:

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This is fantastically camp at factors: SZA is at present wielding a pair of cutlasses and appears to be both lapdancing on or swordfighting a robotic in a chair.

SZA is already a dressing up change down, swapping out a gilded cavewoman outfit for a futuristic catsuit. She’s simply playfully segued again and forth between Kiss Me More, her collab with Doja Cat, and Prince’s Kiss.

There appears to be a difficulty with SZA’s audio. It appears nice to me on broadcast, however out within the area Alexis Petridis says that it seems like “someone’s locked her in a wardrobe”.

SZA is at present sat on a large ant performing her ballad Drew Barrymore, as you do. Perhaps she’s a bit bug-obsessed in the mean time: she additionally performs an insect-human hybrid in the video for her new single.

SZA on a large ant for Drew Barrymore. Photograph: Yui Mok/PA
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SZA is tearing up the Pyramid with a set to date leaning closely on her 2016 breakthrough Ctrl. Really there are few issues in reside music higher than R&B getting the complete band remedy: session musicians with chops make songs which are featherlight on document sound so large and booming reside.



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