Debut director Rupak Ronaldson’s Telugu movie ‘Pareshan’ stars Thiruveer (centre) and others in a rural Telangana story
| Photo Credit: Special Arrangement
Early on in debut writer-director Rupak Ronaldson’s Telugu movie Pareshan, a gaggle of villagers in Mancherial, Telangana, attempt to movie a video. A woman who is a part of the solid is miffed together with her boyfriend for not getting her the suitable ‘lip blossom’ (lip gloss) and ‘googles’ (goggles) that can make her look glamorous on display screen. This scene, the actors who deliver alive the milieu and the humour trace at an indie-style entertainer. But quickly, Pareshan opts for an indulgent depiction of alcohol-guzzling and meat-eating life-style of rural Telangana, which is changing into a stereotype. Buried below that depiction is a coming-of-age story of Isaac (Thiruveer), who goes from being a wastrel to discovering function in life, and in addition wins the belief of his girl love Sirisha (Pavani).
The principal characters of Pareshan are individualistic and wacky as they arrive. Isaac’s father (Muralidhar Goud), after toiling for many years within the Singareni coal mines, needs an early retirement in order that he can help an area pastor in gospel periods. He hopes that Isaac will take over his job as a miner. Isaac, nonetheless, has no such curiosity. Not that he has every other curiosity. He spends time together with his associates Pasha, Satthi and a hairstylist who calls himself RGV since he is an enormous fan of maverick filmmaker Ram Gopal Varma. Isaac’s father entrusts his son with the duty of handing over a substantial sum of cash to a buddy.
Pareshan (Telugu)
Cast: Thiruveer, Pavani Karanam, Bunny Abiran
Direction: Rupak Ronaldson
Music: Yashwanth Nag
Storyline: A comedy of errors involving 4 associates and their determined want for cash to tide over monetary woes.
Everything that may go flawed does and a comedy of errors ensues. Several subplots involving every of the chums’ lives invariably add to the chaos and their mounting monetary woes. The smartest thing about Pareshan is its indie model of filmmaking with actors who seem to be they belong to the Mancherial village. The manufacturing design is with none cinematic frills, the dialect is on level and cinematographer Vasu Pendem doesn’t gloss over the agricultural panorama. Several segments seem as if candidly filmed, with folks speaking and behaving like they might in actual life.
The parts involving the pastor, with Muralidhar Goud confidently translating his traces to grammatically incorrect English, are enjoyable and endearing to observe. This is a side of rural Telangana that has not often been portrayed in mainstream Telugu cinema.
There are a number of threads to the primary story that Pareshan may have explored — the son not desirous to do something with the instructing of the gospel, the distinction in faiths coming in between Isaac and Sirisha, and the police being hand-in-glove with those that threaten younger lovers within the village, and so forth.
Pareshan retains its concentrate on the chums and significantly Isaac’s hunt for the cash he had misplaced. As the hunt gathers steam, there are occasional segments of hilarity. A selected incident includes a lacking thumb. But principally we see one beer- or alcohol-guzzling scene main to a different, which made me marvel how the chums had cash for the indulgence.
Thiruveer’s efficiency is convincing as a person caught in a multitude. Pavani, who had appeared in a quick character as a cop in HIT 2, goes for a close-to-real portrayal of an harmless younger rural girl and does it properly. The associates, too, befit their elements. Muralidhar Goud who has change into a staple in Telangana tales does a advantageous job as soon as once more.
Yashwanth Nag’s rating accentuates the agricultural life-style with all its quirkiness. The largest letdown is the shortage of a narrative that may make us keep invested within the plight of the characters. Two different vital Telugu movies this yr, Balagam and Dasara, additionally portrayed the agricultural Telangana life-style with alcohol and meat. Along with cultural specificity, these movies used the booze and meals as a part of storylines with robust emotional heft, which is sorely lacking in Pareshan.