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After the success of “Top Gun: Maverick,” filmmaker Joseph Kosinski and producer Jerry Bruckheimer are back, this time with “F1,” set to hit theaters next Friday. The film shifts from fighter jets to the glamorous world of Formula One racing. Brad Pitt stars as a once-promising driver who returns to help a struggling team and mentor a talented young driver, played by Damson Idris.

The film has already garnered attention, sitting at 88% on Rotten Tomatoes based on 82 reviews. On Metacritic, it holds a respectable 70 out of 100. Critics describe it as a classic blockbuster with thrilling action, despite its familiar plot.

Reviewers have shared mixed but mostly positive opinions. Here’s what some are saying:

• “Joseph Kosinski transforms cars into graceful machines, just like he did with planes.” – Tim Grierson, Screen
• “This film feels like the blockbusters of the past. The cars are impressive, but the drivers hold the real magic.” – David Fear, Rolling Stone
• “The racing scenes are thrilling—it’s easy to feel the adrenaline.” – Liz Shannon Miller, Consequence
• “There’s a lot of macho flair, but it’s put together in a fun way.” – Peter Bradshaw, The Guardian
• “The film gives you a rush but might leave you feeling unsatisfied afterward.” – Owen Gleiberman, Variety
• “It’s a mixing pot of classic sports drama and modern spectacle, which sometimes muddles its own simplicity.” – David Ehrlich, Indiewire

The cast includes Oscar-winning Javier Bardem and Emmy-winning Kerry Condon, among others. “F1” promises a mix of thrill and nostalgia when it opens in cinemas this June 27th.

Interestingly, the excitement around “F1” reflects a broader trend in entertainment. Many major films are revisiting classic formats, appealing to both old-school fans and new generations. This revival resonates with audiences, as seen in the recent success of similar films, sparking conversations on social media about the golden age of blockbusters.

For more insights on the evolving film industry, check out the Forbes article that discusses trends and audience preferences shaping these cinematic experiences.

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