Vancouver’s Museum of Anthropology reopens after 18-month seismic upgrade | Globalnews.ca

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Vancouver’s Museum of Anthropology reopens after 18-month seismic upgrade  | Globalnews.ca


One of Canada’s most distinguished museums is reopening after an 18-month upgrade for “cutting-edge” base-isolation retrofitting that will enable it to outlive a once-in-2,500-year earthquake.

The Museum of Anthropology on the University of British Columbia’s campus in Vancouver will reopen to the general public later this week with two new reveals, together with a $40-million upgrade on the constructing initially opened in 1976.


Click to play video: '‘Sankofa: African Routes, Canadian Roots’ to open at MOA'


‘Sankofa: African Routes, Canadian Roots’ to open at MOA


UBC Facilities director of undertaking providers Jay Hiscox says the retrofitting was difficult given famend architect Arthur Erickson’s “unconventional” design, the place including new help would have “complicated the building and lost its essence.”

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Officials say it’s the primary time a Canadian museum has been retrofitted with the bottom isolation know-how, which makes use of motion joints on the backside of the constructing to restrict the switch of floor shifts to the construction.


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The museum was recognized as a excessive precedence for seismic upgrades in 2017, and director Susan Rowley says they took it as a chance to resume the area by including new reveals, whereas refocusing the Indigenous artifacts as half of “living, vibrant, sovereign cultures.”


Click to play video: 'Museum of Anthropology exhibit of puppets from around the world'


Museum of Anthropology exhibit of puppets from around the globe


One of the brand new reveals, entitled “To Be Seen, To Be Heard,” focuses on First Nations Peoples in public areas representing their cultures throughout Canada’s colonial previous.

“We’re all thinking about reconciliation and decolonization and what does that mean, and trying to understand that history, particularly for many of us who grew up not knowing this history although it’s the history of the land in which we live,” Rowley says. “It’s trying to come to terms with what were we not hearing? How were we not hearing it?”

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