Vijayakanth in ‘Chinna Gounder’
Etho Ninivugal Kanavugal Manathile Malaruthey; Kaveri Ootrakavey (there are some ideas and goals in my thoughts like the fountain of river Cauvery). This track in Agal Vilakku, Vijayakanth’s second movie with late actor Shoba, encapsulated the actor’s aspirations. The music was scored by Ilaiyaraaja, who composed some of the Tamil movie business’s excellent songs for Vijayakanth, who ostensibly possessed none of the attributes of a movie hero. A slim, darkish colored Vijayakanth, nonetheless, had a country allure and one way or the other reaped phenomenal success first in the movie world, and subsequently in politics.
Once, when he was requested how his films featured some of the finest songs, Vijayakanth questioned how one would charge the excellent songs in the films of Ramarajan. “It is Ilaiyaraaja’s contribution; I never specifically asked him anything. I would offer suggestions only for stunt scenes,” he mentioned.
Antha Vaanatha Pola Manam Padaicha Mannavaney in Chinna Gounder in some approach echoed the sentiments of the evocative Then Pandi Seemayile Therodum Veethiyile in Kamal Haasan-starrer Nayagan and the lyrics captured what everybody noticed in Vijyakanth’s character; his skill to be charitable and never flip away anybody who got here to him for help.
Before Ilaiyaraaja, Thoorathu Idi Muzhakkam, a movie for which Salil Chaudray labored as a music director, gave the Tamil movie world the memorable track Ullamellam Thalladuthey. The movie was additionally screened at the International Film Festival of India.
Vijayakanth was fortunate to have the lead function in the movie Vaidehi Kaathirunthal, a movie nonetheless celebrated for all its seven songs by Ilaiyaraaja, who was explicit to use all the songs in a single movie; director R. Sundararajan apparently wrote the story maintaining in thoughts all the songs. Vijayakanth, in the character of Vellaisamy, benefitted immensely from the movie. The songs together with Rasathi Unna Kaanatha Nenju, Intraikku Yen Intha Ananthamey, Kaathirunthu Kaathirunthu proceed to hang-out audiences even after 4 a long time.
Amman Kovil Kizhakkale is one other musical deal with. Poove Eduthu Oru Malai Thoduthu Vacheney, Chinna Mani Kuyile, Kaalai Neera Poonguil had been additionally mind-blowing compositions. Vizhiye Vilakontru Etru in Thaluvatha Kaigal captured the finer features of a romance scene.
Ninaive Oru Sangeetham may need light from the reminiscence of the era that watched the movie, however feedback on social media websites nonetheless reward the songs Eduthu Vacha Paalum, Pagalile Oru Nilvinai Kanden Athu Karutha Nila and Ettramaiya Etham and seize the precise affect they’d on listeners. Mayanginen Solla Thayanginen from the movie Naane Raja Naane Manthiri is one other instance during which the recognition of the track drowned the title of the movie. Sinthiya Venmani Chippiyil Muthachu and Kaan Karunguyile in Poonthotta Kavalkaran symbolize two extremes; one a melody, and one other, a folks tune, each wildly common.
Captain Prabhakaran paved the approach for his political profession in an enormous approach, and in no small measure thanks to the story, but in addition the songs. Paasamulla Paantiyeray and Aatama Therottama are full of vitality. Similarly, Chinna Gounder — each the movie and songs — served the goal of his political profession effectively.