Frank Stella, artist known for his pioneering work in minimalism, dies at 87

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Frank Stella, a painter, sculptor and printmaker whose continually evolving works are hailed as landmarks of the minimalist and post-painterly abstraction artwork actions, died Saturday at his house in Manhattan. He was 87.

Gallery proprietor Jeffrey Deitch, who spoke with Stella’s household, confirmed his loss of life to The Associated Press. Stella’s spouse, Harriet McGurk, instructed the New York Times that he died of lymphoma.

Born May 12, 1936, in Malden, Massachusetts, Stella studied at Princeton University earlier than shifting to New York City in the late Nineteen Fifties.

Frank Stella
Frank Stella poses in entrance of a mural replica of his 1970 portray, “Damascus Gate (Stretch Variation I),” alongside Seaport Boulevard in Boston on Oct. 24, 2019.

Nic Antaya for The Boston Globe through Getty Images


At that point many distinguished American artists had embraced summary expressionism, however Stella started exploring minimalism. By age 23 he had created a collection of flat, black work with gridlike bands and stripes utilizing home paint and uncovered canvas that drew widespread important acclaim.

Over the following decade, Stella’s works retained his rigorous construction however started incorporating curved strains and vibrant colours, equivalent to in his influential Protractor collection, named after the geometry instrument he used to create the curved shapes of the large-scale work.


Frank Stella on his artistic obsessions

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In the late Nineteen Seventies, Stella started including three-dimensionality to his visible artwork, utilizing metals and different combined media to blur the boundary between portray and sculpture.

Stella continued to be productive properly into his 80s, and his new work is presently on show at the Jeffrey Deitch Gallery in New York City. The colourful sculptures are huge and but virtually appear to drift, made up of shining polychromatic bands that twist and coil via area.

“The current work is astonishing,” Deitch instructed AP on Saturday. “He felt that the work that he showed was the culmination of a decades-long effort to create a new pictorial space and to fuse painting and sculpture.”

When requested in a 2021 interview with CBS (*87*) Morning why he all the time most well-liked summary to figurative artwork, Stella joked, “because I didn’t like people that much…Yeah, I mean, you know, everybody was doing that, or I didn’t want to spend a lot of time drawing from the model. You know when you see that poor girl sitting up there on that chair after she has to take off her bathrobe and everything, it’s pretty pitiful!”

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