A nonetheless from Shōgun
| Photo Credit: Special Arrangement
Shōgun, the 10-episode adaptation of the first of James Clavell’s Asian Saga novels, has been praised throughout the board for its luxurious visuals. Costume designer Carlos Rosario can take some credit score for that. The attractive costumes are the outcome of rigourous analysis. “I worked on the project for 16 months,” says Carlos on a video name from Los Angeles.
“It was a complicated show, set in a complicated period, with characters of different ranks. We needed to study the language of the clothing of that period, in order to design the costumes and portray those characters as accurately as possible,” he shares.
Deep dive
Carlos who loves India, (he lived in Puducherry for seven months and went for an Ayurvedic retreat in Kerala) says the crew checked out museum web sites from round the world as half of the show’s analysis. “We looked at period armour and costumes. We bought a lot of books, and were also supported and guided by historians, experts and consultants, who helped us understand the Sengoku Period, which is the time frame of the show.”
Carlos Rosario, costume designer of Shogun
| Photo Credit:
Special Arrangement
Paintings have been an essential useful resource, says Carlos, who was born in France to Spanish dad and mom. “We analysed and dissected the paintings of that period, the patterns and colours, because there are no photographs then, right (laughs)?”
Edward L McDonnell, one of the government producers on the sequence launched Carlos to Justin Marks, who created Shōgun with Rachel Kondo. “I worked with Ed on one of my first projects as an assistant designer. Right after the pandemic, he sent me an email asking me to meet Justin Marks. I had three interviews, I did a lot of research and got the job,” says Carlos.
Authenticity counts
Justin, Carlos says, wished the show to be as genuine and correct as attainable. “I initially looked for fabrics in Los Angeles and New York. I swatched a lot of fabrics, but couldn’t find anything that captured the essence of the Japanese culture.” Carlos then employed two individuals in Japan to look for materials to make use of in the show that was prepped and shot in Vancouver.
Anna Sawai as Toda Mariko in a nonetheless from Shōgun
| Photo Credit:
Special Arrangement
“All the beautiful fabrics that you see on screen came directly from Japan. They came in bolts of 10 or 11 metres. The fabric was expensive and unique but captured the essence of the period. I convinced FX (producers) and they were supportive. I’m so glad they gave me the budget to import those fabrics.”
Such a protracted journey
Picking a favourite look in Shōgun is difficult, Carlos says. “They’re all my babies. Each one of the costumes has a back-story and a meaning. It was a long, creative process to create every costume but I do love some of the outfits that Lady Ochiba (played by Fumi Nikaido) wore. I also like two of the jinbaori Lord Toranaga (Hiroyuki Sanada) wears.”
The jinbaori, Carlos explains is a surcoat worn on high of the armour. “One of Lord Toranaga’s jinbaori is made of hundreds of hand-stitched peacock feathers. The other is a jinbaori as an armour. We cut hundreds of little wood and metal pieces, which were attached with cording of different colours.”
Big versus small display screen
Having designed costumes for motion pictures (Don’t Breathe, The Girl in the Spider’s Web), Carlos says the important distinction between the two is pace. “Television goes way faster (laughs). Shōgun is 10 episodes that look like 10 movies, and you don’t have much prep time. A movie is more linear with a beginning, middle and end.”
A nonetheless from Episode 1
| Photo Credit:
Special Arrangement
Having dressed actors from Reese Witherspoon and Joaquin Phoenix (Walk the Line) to Claire Foy, Carlos says he would like to work with Meryl Streep. “She is the greatest and the best. I would also love to work with Jane Fonda. I had the chance to work with Robin Williams before he passed away. I designed the costumes for his last movie (Boulevard). It was an incredible memory.”
Gone with the Wind is Carlos’ favourite traditional film and one of the causes Carlos entered the subject, the different cause being his grandmother who was a patternmaker. “I watched her work, putting fabric on the table. I remember her sewing and stitching and I was intrigued. That was my gateway into this world.”
Shōgun is at the moment streaming on Disney+ Hotstar with contemporary episodes dropping each Tuesday until April 23, 2024