The need to find the right dance teacher

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Young learners in a dance class.

Sahitya, sangeeta kala viheenaha sakshat pashuhu, pucha vishanaha heenaha

It signifies that a human life with out an initiation into literature, music or any artwork is akin to a cow with out horns and tail. Hence each human being is entitled to be taught and practise the arts with out which life loses its which means. Having stated this, one has to perceive the distinction between informal affiliation with artwork and deep engagement with it.

Classicism is about methodical and disciplinary method. Unfortunately, these values are being manipulated for ease of studying and recognition. This is a disheartening pattern, which works unchecked. We need to put in place a security regulation for coaching in arts to guarantee the genuineness of the trainee.

Since Bharatanatyam is my area, I’ll speak about it. I’ve coined the time period ‘art-quacks’ to refer to these so-called teacher, who’re manipulating the system to their benefit. In the course of, they’re completely damaging the perspective of the learners. Dance wants each bodily and psychological conditioning and the ‘art-quacks’ positively can not impart.

When you take the first steps in dance let it be at an established school.

When you are taking the first steps in dance let or not it’s at a longtime college.
| Photo Credit:
JOTHI RAMALINGAM B

Both individuals and veteran artistes and students may help curb this menace. Firstly, younger fanatics not often have an excellent understanding of what a mentor needs to be like. Their expectations are akin to what a tuition teacher or interest class can present. They mustn’t get carried away with the guarantees of efficiency alternatives. Parents and youngsters ought to realise that substandard studying can not take them far. The similar effort that they put in whereas choosing the college for schooling needs to be made when choosing the dance college. Just a little little bit of homework might do good.

Guru Kalyanasundaram teaching his students at Sri Rajarajeswari Bharatha Natyam Kala Mandir in Mumbai.

Guru Kalyanasundaram instructing his college students at Sri Rajarajeswari Bharatha Natyam Kala Mandir in Mumbai.
| Photo Credit:
FARIHA FAROOQUI

When a learner applies for Central or State scholarships and Doordarshan auditions and recordings, she or he will perceive greater than ever the significance of being educated by a educated guru.

The idea of salanga pujai or arangetram will not be what they have been in the previous. What is the worth of a proper debut in in the present day’s occasions when digital platform gives an quick access. Yet, arangetrams are being performed with immense fanfare. Huge bills, together with guru dakshina are incurred by mother and father. The nice nattuvanars of yesteryear intensely educated a couple of gifted and promising sishyas, whose patronage was their sole supply of earnings.

The ‘art-quacks’ additionally bask in inventive plagiarism. They haven’t any qualms about reproducing well-researched and aesthetically formulated compositions and choreographies. A motive why many well-known artistes are not looking for their work to be made seen on social media. We need a tighter copyright act.

Mediocrity has no house in classicism, whether or not it’s in instructing, performing or in selling the arts and artistes. It has to be understood that if genuine artwork has to thrive, we need to rid it of quacks.



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