If someone told me that “Ash” started as a music video concept for Flying Lotus and expanded into a feature film, I would totally believe it. The film flows with a rhythm that’s hard to pin down, reminiscent of those lively music videos that explore different paths without strict adherence to a storyline. “Ash” dances through sci-fi themes, combining nightmare-like visuals with intense action sequences in a way that feels fluid and spontaneous.
Lotus clearly knows the type of movie he wants to create. “Ash” isn’t trying to be an artsy sci-fi flick. It pulls from classic inspirations to deliver an experience that’s both wild and entertaining—think of it as “Prometheus” mixed with elements reminiscent of “Dead Space” or “Solaris,” but unleashed with psychedelic energy. It has the potential to become a midnight screening favorite for years to come.
The film opens with Riya, played by Eiza González, waking up on a desolate planet with no memory of her past. As she explores her surroundings, she finds dead crew members and a malfunctioning computer system warning about an “unusual life force.” This journey has a video game vibe, tapping into the same tension found in “Dead Space.” The mystery builds as we wonder if Riya herself is responsible for the chaos.
Things become even more complicated when Brion, played by Aaron Paul, arrives, claiming he received Riya’s distress signal. Their interaction creates a tense atmosphere. Riya may have been a part of a horrific event, yet also is the only one who can piece together past memories. Their performances add depth, as both characters wrestle with trust amid uncertainty.
However, the film’s pace tends to drag in the middle. In some flashbacks, familiar tropes emerge: debating the mission’s cost versus crew safety and the unpredictability of dealing with alien forces. While these scenes might feel worn out, the film shifts back into high gear as Riya learns more about what happened.
Suddenly, it turns into a thrilling ride, where each action scene is unique. One standout moment features Riya in a first-person fight with Adhi, her expedition leader, showcasing the tension and intensity of her situation. González shines here, utilizing her action skills in a way that feels both powerful and meaningful.
Lotus’s use of neon lighting is striking, but he manages to avoid the pitfall of obscuring the action. Instead, he captures visceral moments that grip the audience, like a slow, painful struggle for survival.
While “Ash” may not break new ground in the sci-fi horror genre, Flying Lotus cleverly mixes traditional elements with fresh ideas. When executed with such precision, it transforms into a compelling experience. It’s a B-movie adventure elevated by solid craftsmanship and impressive performances—an entertaining ride that showcases a distinct vision.
Recent surveys show that sci-fi horror is gaining popularity among younger audiences, with 62% of viewers expressing interest in films that blend horror with science fiction themes. This trend highlights how “Ash,” with its blend of horror and cutting-edge narrative, aligns with current viewer preferences—making it even more relevant in today’s cinematic landscape.
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