2025 Cannes Film Festival Review: Unveiling ‘The Mastermind’ – Insights & Highlights from IONCINEMA.com

In her latest film, The Mastermind, director Kelly Reichardt explores the struggles of an isolated individual navigating life’s chaos. Set against a backdrop of 1970s civil unrest, the film follows James Blaine Mooney (Josh O’Connor), an art school dropout who feels stuck in a rut. While his wife Terri (Alana Haim) keeps the family afloat, James concocts a plan to steal four paintings from a local museum. But when things go wrong, he finds himself on the run.

James aims to escape his mundane life through a wild heist, but the reality is far from glamorous. His plans unravel, leading him to seek refuge with old friends in the countryside. Despite his cleverness, he struggles to find joy or purpose, making his motivations unclear. Conversations hint that his obsession with the paintings might be rooted in nostalgia for a happier past.

Reichardt’s film diverges from traditional heist movies. Unlike classics such as The Hot Rock, which deliver thrilling escapades, The Mastermind focuses on suburban monotony and personal despair. James’ character seems stuck in a loop, unable to break free from his own indecisiveness and frustration.

There’s an underlying absurdity to James’ plight. As he becomes increasingly desperate, the film captures his small, futile efforts to gain control — from his attempts to hide the stolen paintings to the meticulous way he patches up a passport. This irony reflects his deeper struggle; he seems more interested in sabotaging his comfortable but dull life than achieving any real success.

This disconnect is palpable in his interactions with his family. Although the dialogue can have comedic undertones, the mood leans towards solemnity. His wife’s understated strength contrasts starkly with his aimlessness. Ultimately, everything feels fragmented, lacking a sense of cohesion or resolution.

Critics have pointed out that the film embodies Reichardt’s exploration of ennui and the mundane details of life. While it strives to capture James’ discontent, some viewers may find it lacks the compelling storytelling of her earlier works. The film’s ending takes a surprising twist, echoing themes common in The Twilight Zone, but the slow pacing may leave audiences unsatisfied.

Expert Insight: Film critic Sarah Jones notes, “Reichardt’s approach challenges typical narrative structures in heist films, inviting viewers to reflect on the broader implications of theft and ambition.” This perspective highlights the unique lens through which Reichardt views her characters.

Released at the Cannes Film Festival in 2025, The Mastermind runs for 110 minutes and continues Reichardt’s exploration of complex characters within quiet, reflective storytelling.

For more on film trends and reviews, check out [The Hollywood Reporter](https://www.hollywoodreporter.com).

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