“Compensation” is a remarkable film by director Zeinabu irene Davis. It dives deep into aspects of Black life and history that often go unnoticed. Inspired by a poem by Paul Laurence Dunbar and written by Marc Arthur Chéry, Davis’ husband, this romance spans decades and features reincarnated lovers.
The story unfolds in two eras. The first half is set in 1910 Chicago and follows Malindy Brown, a Deaf educator and seamstress, played by Michelle A Banks, and Arthur Jones, a Southern migrant portrayed by John Earl Jelks. The second half takes place in the early 1990s, focusing on their reincarnated selves—Deaf artist Malaika Brown and librarian Nico Jones. Each relationship is shaped by heartbreak and fate, beautifully illustrating Davis’ unique take on love and Black life.
“Compensation” premiered in 1999 at the Atlanta Film Festival and received Independent Spirit Award nominations. Unfortunately, it faded from public view, much like other films by Black women from that time. Recently, though, it has seen a revival thanks to a 4K restoration by The Criterion Collection and The UCLA Film and Television Archive. This resurgence highlights how ahead of its time the film was.
The film starts with intertitles that resemble a silent movie, offering a glimpse into the era. Chicago’s African American population grew rapidly between 1900 and 1910, and archival photos reveal a bustling city alive with activity. These images are interwoven with moments that showcase class differences among Black residents. The updated open captioning, created in collaboration with Alison O’Daniel, enhances the viewing experience, drawing the audience into the city’s vibrant yet challenging atmosphere.
Malindy is depicted as a talented woman not exempt from racism, having attended a prestigious but later segregated school for the Deaf. She frequents a church that serves as a hub for both newcomers and established families. We witness her journey—using journaling and sign language to communicate and connecting with Arthur on a beach. Their initial awkward encounter is touching, revealing their different experiences with hearing and education.
Fast forward decades, and we meet Nico and Malaika. Their meeting is filled with humor and hesitation, contrasting with Malindy and Arthur’s romance. Unlike the earlier couple, Nico must bravely step into Malaika’s world. “Compensation” captures how love takes shape within social spaces, exploring Deaf clubs and the cinema. The film reimagines the romantic comedy, while simultaneously shedding light on the realities of Black life often overlooked in history.
Through both relationships, Davis addresses significant issues like the HIV/AIDS epidemic and Deaf rights. She brings a joyful energy to the film, blending African folklore and dance into her storytelling. Her innovative techniques, such as double exposures, add depth and intensity to the narrative. Davis enthusiastically explores Chicago, spotlighting neighborhoods like Rogers Park rarely seen in films.
The chemistry between Banks and Jelks is electric, making their performances deeply captivating. Davis’ ability to portray imperfect, relatable characters enhances the emotional impact of the film, particularly in the moving final scene with Nico and Malaika. Their embrace symbolizes the power of Black love, transcending time and challenges.
