2025 Sunlight Movie Review: Captivating Insights and Full Summary | Roger Ebert

Nina Conti’s film “Sunlight” stands out in the road-trip genre with its quirky story. Conti, a comedian and ventriloquist, plays Jane, a woman who copes with life by donning a full-sized monkey costume. It’s a wild concept that invites some fun jokes about its absurdity. However, Conti and co-writer Shenoah Allen steer clear of just relying on that humor. Instead, they create a heartfelt narrative that explores deeper themes.

The film opens with a striking scene: Jane saves Roy (played by Allen), a radio host who has attempted suicide. When he wakes up, he finds himself in the passenger seat of his van, with Jane, dressed as a monkey, at the wheel. While the monkey costume shields Jane from her struggles, it also highlights her inner turmoil. As Jane explains, she’s on her way to Colorado for a business meeting to start her banana boat venture. Roy, seizing a surprising second chance, decides to join her. He wishes to visit his father’s grave to retrieve a gold watch and reconcile with his past. “Tell them to fuck off while they’re alive,” Roy says, delivering a moment of dark humor that captures the film’s tone.

Conti and Allen’s chemistry is a key part of the film’s charm. Conti brings a boisterous energy to the monkey character, while Jane embodies a quieter, more vulnerable side. As the story unfolds, Roy transforms, gradually discovering what it means to reconnect with himself. Their dialogues feel genuine, resembling real-life conversations rather than scripted lines. For instance, a scene where they humorously sing about human anatomy showcases their natural rapport and improvisational skills.

Visual storytelling in “Sunlight” adds emotional depth, too. Cinematographer James Kwan uses striking imagery, like a bird’s-eye view shot of the van driving through the vast New Mexico landscape while Radiohead plays in the background. This contrast invites viewers to breathe alongside the characters, emphasizing the film’s theme of shedding our façades.

Among its many thoughtful moments, one scene stands out when Roy prepares a space for the monkey to sleep in his van after a tough day. Instead of a sentimental reflection, the moment feels awkwardly real. The monkey, in need of a better bed and some Xanax, adds a relatable touch to their growing bond.

Drawing inspiration from Henri Nouwen’s thoughts in “Reaching Out,” the film beautifully illustrates the power of unexpected encounters. Jane and Roy each have their struggles but find hope in their connection. Their story may not be entirely new, but its heartfelt portrayal invites viewers to embrace life’s ups and downs with humor and grace.

“Sunlight” reminds us that, even in our darkest moments, we can find light through laughter and genuine friendship. Even the absurdity of a monkey costume can lead to deeper conversations about healing and renewal.

For more insights on mental health, check out resources from the National Alliance on Mental Illness (NAMI) here.

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