Marko Perkovic’s Zagreb Concert: A Controversial Right-Wing Icon Attracts Tens of Thousands!

ZAGREB, Croatia (AP) — A concert featuring Marko Perkovic, known as Thompson, drew a massive crowd in Zagreb this weekend. Many fans view him as a patriotic figure, while others see potential risks linked to his past.

Thompson, often criticized for his connection to the controversial Ustasha regime of World War II, told the audience, “With this concert, we will show our unity.” He encouraged Europe to reconnect with its Christian tradition.

Authorities estimated around 450,000 attendees, marking this as one of the largest concerts in Croatia’s history. The police expressed concerns about security and took steps to ensure a safe environment for all. Prior to the concert, they prohibited any display of hateful symbols, signaling the sensitivity surrounding the event.

Some fans expressed excitement. Ivica, a supporter, stated, “Thompson is a patriot. He does not insult anyone, he loves everybody.” However, not everyone shared this sentiment. Former Prime Minister Jadranka Kosor criticized the state’s support of Perkovic, highlighting the troubling history associated with his music and performances.

Croatia’s Ustasha regime had a dark past, responsible for the deaths of many during WWII. Despite clear regulations against glorifying hate symbols, some footage emerged of fans performing the Ustasha salute. This stirred up concerns about potential division within the nation.

Historically, Thompson surged to fame during the 1991-95 Croatian War of Independence, a time filled with nationalism and struggle. He has often claimed his songs celebrate Croatia’s fight for freedom. Yet, they also evoke memories of a painful chapter in history.

Adding context, recent surveys indicate a split in public opinion regarding such concerts, with some seeing them as celebrations of identity while others label them as unwelcome reminders of the past. A study by the Croatian Institute for Social Research found that about 40% of Croatians worry about the rise of nationalist sentiments in music and public gatherings.

As this concert unfolded, reactions varied widely, showcasing Croatia’s ongoing dialogue about its identity and history.



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