Three years ago, Jeremy LaLonde’s Ashgrove offered a chilling look at a world where a disease contaminated the water supply, threatening humanity’s survival. Now, in Hubert Davis’ The Well, we see the aftermath of such a crisis. Most people are gone, and life is heavily regulated in distant cities. For Sarah (Shailyn Pierre-Dixon) and her parents, Arnold (Paul Devine) and Elisha (Joanne Boland), survival hinges on a hidden well that provides safe water.
At first glance, their life seems stable, but beneath the surface, tensions run deep. Elisha is grieving the loss of her son, Ben, to the illness, and Sarah grapples with feelings of jealousy, convinced that Ben meant more to her than to her own mother. Their fragile world changes with the arrival of Jamie (Idrissa Sanogo), a city refugee claiming to be family. Fearing he might be infected, they isolate him, leading to intense debates about trust and survival. While Sarah wants to extend kindness, her parents worry about their precious water supply dwindling if more people join them.
As the story unfolds, disaster strikes when their well’s filter breaks. Someone must venture out to find a replacement. The night before her father’s departure, Sarah discovers Jamie sneaking away and insists on joining him.
While the film touches on familiar themes of post-apocalyptic survival, it lacks elements that would make it memorable. The acting is competent, but we miss an emotional connection to Sarah’s isolated life. Key plot points feel predictable, making the twists less impactful. Moreover, the film’s portrayal of potential dangers from water-borne diseases feels oversimplified, making it hard to stay engaged.
Davis includes striking visuals of water—rippling brooks and misty landscapes—that convey a sense of longing and melancholy. Although these scenes offer beauty, the overall film often feels forgettable.
Interestingly, water scarcity and related crises are actual concerns today. According to the World Health Organization (WHO), over 2 billion people live in countries with high water stress. This film, although fictional, reflects a growing global anxiety about water access and conservation.
Engagement with the audience through social media also indicates rising interest in such themes. Recent trends show a spike in conversations around sustainable living and the importance of preserving natural resources.
The Well may not be groundbreaking, but it does touch on issues that many are beginning to face in reality: the fragile balance between survival and community in times of crisis. It’s a simple reminder of how vital water is—not just for survival, but for our connections to one another.