Taylor Swift’s ‘Release Party of a Showgirl’ Dominates Box Office with $15.8 Million Opening Day, While Dwayne Johnson’s ‘Smashing Machine’ Struggles in Third Place

The October box office is heating up with exciting new releases. This weekend, Taylor Swift’s “The Official Release Party of a Show Girl” is expected to dominate, raking in around $25 to $30 million, especially after pulling in $15.8 million on Friday. This event, marked by its limited three-day run and minimal marketing, showcases Swift’s latest album along with lively music videos. Priced at $12, tickets are slightly above average but attract her huge fan base.

In contrast, Dwayne Johnson’s film “The Smashing Machine” is struggling. After earning approximately $2.6 million on Friday, it appears headed for a disappointing opening weekend, with projections below $8 million. This movie, part of a trend of biopics, comes with a hefty $50 million budget, making it one of A24’s most expensive endeavors.

Good reviews from film festivals haven’t translated to box office success for “The Smashing Machine.” Viewers gave it a “B-” grade through CinemaScore, indicating a lukewarm response. Johnson’s shift to a dramatic role hasn’t caught fire like anticipated.

Meanwhile, Warner Bros.’ film, “One Battle After Another,” is doing better, earning $3.3 million on Friday as it benefits from positive word-of-mouth and awards buzz. Its budget above $130 million means it needs strong performance over the coming weeks to break even.

Universal’s “Gabby’s Dollhouse: The Movie” is also facing challenges, projecting a $4.7 million second weekend after a sharp drop in viewership. An animated film’s appeal typically lasts longer, but this one seems unable to capture the magic of its Netflix origins.

On the horror front, “The Conjuring: Last Rites” remains popular, adding $1.2 million to its total, which now stands at $164.9 million after a month in theaters.

Also releasing this weekend is Disney’s re-release of “Avatar: The Way of Water,” which has garnered about $1.1 million, although audience interest appears tepid compared to its previous heated reception.

Lastly, the horror indie “Good Boy” debuted with solid reviews. This unique film, shot from a dog’s point of view, earned around $980,000 on its opening day.

In summary, while Taylor Swift takes center stage, Dwayne Johnson’s leap into drama isn’t resonating with audiences. The box office landscape is as competitive as ever, with varying responses from fans shaping the weekend’s trends.



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