Unveiling ‘Rebecca’ at MTC: A Captivating Theatre Review that Will Leave You Spellbound

Imagine falling head over heels for a man much older than you. His wife passed away just a year before. You quickly marry him and move into his grand estate. But instead of a fairy tale, you find yourself feeling lonely and second-best, always living in the shadow of his stunning first wife. This is the story of the second Mrs. de Winter in the psychological thriller *Rebecca*.

This adaptation is based on Daphne du Maurier’s gripping novel from 1938, later turned into a film by Alfred Hitchcock. The story explores deep feelings of inadequacy faced by the main character, a young, naïve woman who becomes Mrs. de Winter II. She starts her journey as a companion to the domineering Mrs. Van Hopper, played by Pamela Rabe, while they’re on holiday in Monte Carlo.

During this trip, they meet Maximilian de Winter, a wealthy estate owner. He quickly sweeps the young woman off her feet. But when Mrs. Van Hopper abruptly decides to return home, Maxim surprises her with a marriage proposal. Despite warnings from Mrs. Van Hopper, our protagonist is caught up in romance, only to face harsh realities soon after.

Once at Manderley, the de Winters’ estate, she meets Mrs. Danvers, the chilly housekeeper, also portrayed by Rabe. Mrs. Danvers clings to the memory of the first Mrs. de Winter, leaving the new bride feeling utterly inadequate. As Maxim behaves moody and distant, the new Mrs. de Winter grows increasingly anxious, believing he’s still in love with his late wife. However, the truth is even darker.

This production, developed through the MTC’s NEXT STAGE Writers’ Program, offers a rich sensory experience. The narrative shines through strong acting, impressive set design, and thoughtful lighting. Nikki Shiels captures the essence of Mrs. de Winter II as she navigates her self-doubt and slowly finds her voice throughout the one-hour and forty-five-minute play.

Pamela Rabe stands out in her three roles, switching seamlessly between characters and evoking laughter and fear in the audience. Stephen Phillips portrays Maxim’s aloof nature, perfectly embodying the depth of his character’s darkness. Likewise, Toby Truslove effortlessly shifts between his roles as Maxim’s confidant and a deceitful cousin.

Visually, the production is striking. A floral tree serves as a backdrop, while props and set pieces change between scenes, thanks to the talents of director Anne-Louise Sarks and set designer Marg Horwell. The attention to costuming is equally impressive, showcasing Rabe’s versatility in her multiple roles.

The sound and lighting design also contribute significantly to the atmosphere, with haunting music complementing the emotional weight of the story. The play has been re-imagined through a contemporary, feminist lens, making it feel fresh and engaging. Under Sarks’ direction, *Rebecca* remains both edgy and captivating.

This adaptation pushes boundaries while staying true to its gothic roots, providing a thrilling experience for both old fans and new audiences alike.

For more information, visit the official page at Theatre Company MTC.

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