How do you transform a classic Hollywood western into an engaging West End musical? You blend in music—many of Bruce Springsteen’s songs—and toss in some line dancing. The result? A unique experience with Billy Crudup shining in a lead role. At first, it feels clunky, as Thea Sharrock’s production jumps from brief film scenes to musical numbers. The impressive set mirrors the wooden look of a saloon but can come off as awkward.
As it develops, the play builds momentum. It focuses on the intense conflict between Frank Miller and the town marshal, Will Kane (played by Crudup), who previously put Miller in jail. The production is particularly timely. The original 1952 film critiqued community accountability, a theme that resonates today, considering recent events like the Minneapolis shooting.
Originally a commentary on McCarthyism, the story contrasts the bravery of one man with the cowardice of many. Kane represents this courage as he fights for justice when the townsfolk abandon him. The film faced criticism for its portrayal of community morals, notably from John Wayne, who called it un-American. This production revitalizes those themes, highlighting how the issues of the past echo in modern America. Eric Roth’s script honors many lines from the original screenplay while expanding on the community’s moral dilemmas in light of current societal divides.
The chemistry between Crudup and Denise Gough, who plays Amy Fowler, adds another layer. Amy, a Quaker against violence, contrasts with Kane, who is trying to leave his law enforcement past behind. Their relationship adds depth to the narrative, though some characters appear underdeveloped.
Springsteen’s songs enrich the story, with tracks like “Land of Hope and Dreams” reflecting American ideals and resilience. Gough delivers powerful vocals, although some songs feel repetitive. The musical’s structure sometimes seems hesitant, but the sound design and lighting capture attention, especially a ticking clock that heightens the tension towards the inevitable showdown.
Despite some early awkwardness, the performance gains traction. Ultimately, it powerfully connects emotions from the McCarthy era with today’s political climate. For anyone looking to dive deeper, you can read more about the evolving narrative of American theater from trusted sources like The Guardian.
