The Golden Globes have seen some big changes lately. Tina Fey famously joked about the Hollywood Foreign Press Association being a bit of a joke itself. After controversies, the HFPA was disbanded in 2023, but some former members still have voting rights. The recent Golden Globes still held some surprises.
This year, the second Penske Media Golden Globes brought a new flavor, including a podcast category. Amy Poehler’s “Good Hang” won against strong shows like Alex Cooper’s “Call Her Daddy.” Poehler’s win highlights how collaboration in entertainment, like her work with Fey, can create powerful content.
Stephen Graham took home an award for his Netflix show “Adolescence,” which tackles the complexities of men’s rights. HBO’s “The Pitt” won best drama—but you may need a VPN to watch it in the UK. Michelle Williams also snagged an accolade for “Dying for Sex,” a reportedly underrated series.
During the awards, comedian Nikki Glaser playfully asked if anyone would ever miss the Golden Globes. Despite the HFPA’s past and its critics, many still show up, clad in their finest, high expectations in tow. It brings to mind how these events continue to attract attention, even amid controversy.
On Tuesday, I saw “Oh, Mary!” in London, a show that has gained popularity after a successful run in New York. The story follows a fictionalized version of Mary Todd Lincoln—a character infused with humor about her supposed relationships, sparking varied reactions. Some audience members expecting a serious play were surprised by its comedic tone. Londoners seem split in their opinions, highlighting cultural differences between the two cities.
The AARP’s Movies for Grownups awards featured George Clooney, reminding us how influential this organization can be. With 38 million U.S. members, AARP holds significant cultural sway, especially among those with more financial resources. Clooney’s presence there might be a smart career move in today’s shifting entertainment landscape.
Later this week at the Barbican, a new production of “Sunday in the Park with George” was announced, featuring Ariana Grande and Jonathan Bailey. While Grande might draw a younger crowd, telling kids about Sondheim’s shows often requires some creative storytelling about run times. This clever programming could reinvent how we engage with classic theatre.
Finally, reading tributes to Alan Rickman reminded me of his sharp wit and deep observations. His diaries provide a candid look at the entertainment industry, capturing both the chaos and charm of celebrity culture. One memorable instance was his commentary on a particularly wild party—his humor and honesty shining through.
As we reflect on these events, it’s clear that the landscape of entertainment is always evolving. Each show, award, and tribute reveals not just what we value but how we connect through stories, laughter, and shared experiences.
