In Izmir, Turkey, a Syrian family prepares for a journey filled with hope and fear. They pack life vests, fill backpacks, and seal their phones in waterproof bags. The children’s excitement for Germany contrasts sharply with the risks they face. This dichotomy of hope and uncertainty sets a poignant tone.
“One In A Million,” co-directed by Itab Azzam and Jack MacInnes, offers an intimate look at this family over nearly ten years, with a focus on their 11-year-old daughter, Israa. The story begins as they brave the treacherous Aegean Sea, moving through Greece, the Balkans, and eventually settling in Germany. The film avoids sensationalizing their dangers; the viewer can feel the tension even without explicit drama.
Israa’s mother, Nisreen, becomes a quietly powerful figure in their narrative. Married young and denied schooling, she navigates challenging conditions with a child who has disabilities. Yet, she finds moments of joy, calling their journey a “lovely excursion.” Her perspective highlights a complex truth: sometimes freedom and trauma can coexist.
As Israa grows, we witness a change in family dynamics. Her relationship with her father, Tarek, deteriorates as the family adapts to their new life. Tarek’s attempts to maintain control clash with Israa’s emerging independence. This tension is a central theme, but the film often leaves viewers to fill in the gaps, hinting at deeper issues without fully addressing them.
Another aspect to consider is how the family’s story reflects broader trends in refugee experiences. According to a 2021 report from the United Nations, nearly 6.8 million Syrians have been displaced since the war began. This context adds weight to Israa’s personal journey; she represents countless families grappling with similar challenges.
The film also presents a contrast between personal and political landscapes. As Israa matures, her life coincides with significant events in Syria, such as the fall of the Assad regime. Her visit to post-Assad Aleppo raises complex questions about belonging and identity. Is this a return home, or just a visit? The distinction takes on deeper meaning amid the ruins, reflecting the struggles of diaspora and the quest for home.
While the film touches on important events, it often skims over the broader context of instability in Syria and the social dynamics of refugees in Germany. The title, “One In A Million,” hints at both the individual story and the vast number of displaced Syrians now living in Germany.
Ultimately, the film resonates most when it delves into personal experiences. Instances of children buzzing with excitement, a mother discovering freedom in rain, and a daughter finding her own identity amidst familial expectations are striking. These moments linger long after the credits roll, serving as a powerful reminder of the complexities that come with displacement and the search for belonging in a world full of uncertainty.
