Just before the release of the new Michael Jackson biopic “Michael,” Taj Jackson, the late star’s nephew, shared some bold thoughts on social media. He expressed confidence that the public will form their own opinions about his uncle, stating, “The media can’t control the narrative anymore.”
This film, directed by Antoine Fuqua and endorsed by Jackson’s estate, chronicles Michael’s journey from a young member of the Jackson 5 to a pop icon during the late 1980s. Originally set to delve deeper into his later life, including the significant controversies surrounding him, the film underwent major changes due to legal issues surrounding prior accusations. This resulted in expensive reshoots, costing between $15 million and $20 million, to create a new storyline.
Despite these setbacks, projections for the film’s opening are strong, with estimates around $65 to $70 million domestically, and a potential total of $700 million worldwide. However, critics’ reception has been mixed, with a current Rotten Tomatoes score of just 37%.
In light of ongoing discussions about Michael Jackson’s legacy, experts in pop culture and entertainment have noted that public perception often shifts over time. A 2021 survey revealed that more than half of respondents viewed Jackson’s contributions to music and culture positively, despite the controversies that surrounded him. This suggests that new films and projects might reshape how audiences remember him.
Taj Jackson’s comments reflect a growing trend on social media, where fans advocate for a more nuanced view of popular figures. As he said online, “Can’t wait ‘till some critics have to eat crow.” This shows a sense of hope that the film will challenge existing narratives and give viewers a fresh perspective on his uncle’s life.
For a deeper understanding of Michael Jackson’s impact on music and culture, consider exploring sources like the National Museum of African American History and Culture or reading the comprehensive biography, “Michael Jackson: The Magic, The Madness, The Whole Story” by J. Randy Taraborrelli.
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