Apocalypse in the Tropics (2025) Review: Dive into Roger Ebert’s Insightful Take on This Thrilling Adventure!

In Petra Costa’s powerful documentary, “The Edge of Democracy,” she dives into the dramatic shifts in Brazil’s politics. The film showcases the rise of the Workers’ Party, focusing on major figures like former president Luiz Inácio Lula da Silva and his successor, Dilma Rousseff. However, this political journey spiraled into chaos. Rousseff was ousted, and Lula was imprisoned, paving the way for Jair Bolsonaro, a former army captain, to seize power. Under his leadership, Brazil faced a turbulent time.

In her follow-up film, “Apocalypse in the Tropics,” Costa explores another angle: the rise of the evangelical movement in Brazil. While “Edge” reveals her family’s struggles during Brazil’s dictatorship, “Tropics” digs into how faith plays a role in shaping politics. It presents a dark view of how some evangelical leaders manipulate their followers to back candidates like Bolsonaro.

This documentary feels more like a horror film, exposing the dangerous alliances emerging in politics. It’s no longer just about budgets and policies; now, issues like abortion—still illegal in Brazil—are fiercely contested.

Costa uses Medieval art from the Book of Revelation to illustrate the fear and goals of right-wing evangelical leaders who aim to disrupt traditional politics. They push for conservative lawmakers, possibly hoping to bring about chaos that aligns with their apocalyptic beliefs.

For those familiar with evangelical movements, Costa’s insights may resonate. However, her perspective as an outsider enriches the narrative. She examines the beliefs of figures like Silas Malafaia, linking historical events, such as the CIA’s influence in missionary work during the rise of Marxist Christianity in Brazil. This perspective highlights growing authoritarianism not just in Brazil but in various countries, including the United States.

Unlike her earlier films, which blend personal stories with poetic visuals, “Apocalypse in the Tropics” evokes a chilling atmosphere. It juxtaposes eerie imagery from the Book of Revelation with real footage of political unrest, showcasing Brazil’s tragic losses during COVID-19. The film paints a daunting picture of a democracy under pressure, revealing how powerful, unelected leaders influence the nation’s fate.

Overall, Costa’s work provides an insightful look into the intersection of religion and politics in Brazil, illuminating a critical moment in the country’s history that reflects broader global trends.

For more insights into Brazil’s political climate, consider reading reports from sources like The Guardian or the Brazilian Institute of Geography and Statistics (IBGE) for recent statistics.

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