April 4, 1915: Discover the Legacy of the University of North Dakota Men’s Glee Club in Today’s History!

On April 4, 1915, the University of North Dakota’s Men’s Glee Club began its tenth annual state tour. This tour, featuring 35 talented members, was set to take them to ten cities, wrapping up with a final concert at home on April 16. The club had to squeeze in a short trip earlier in February to meet the high demand for performances, visiting cities like Mandan and Bismarck.

Spring break was the ideal time for this tour, allowing the members to step away from their studies. The Glee Club of this year was highly competitive and well-prepared. They had undergone rigorous tryouts, judged by Director W. W. Norton, where 20 members were selected from the pool.

The selection process was tough. Contestants were evaluated on their singing ability, potential soloist skills, and overall contribution to the group.

The Glee Club’s line-up included:

• First Tenors: Howard Flint, J. J. Webber, McLain Critchfield, Joseph Snowfield, H. H. Schlafer.
• Second Tenors: Orval McHaffie, Walter S. Tostevin, John Muir, R. W. Manuel, Meecham.
• First Bass: S. Cuyler Anderson, Louis G. Telner, Howard Bertelson, Alvin Stommer.
• Second Bass: McKinley Tubbs, John Fraine, Clarence Lee, John Moore, W. W. Norton.

The club boasted impressive soloists this year. Rowland Philip Manuel, an associate professor at Wesley College, was set to perform three songs that promised to be a highlight of each concert. Also featured was Schlafer, whose vocal talent consistently captivates listeners.

Returning for a third tour, S. Cuyler Anderson from Jamestown, known for his strong baritone, was expected to leave audiences impressed. Additionally, Director Norton planned to participate not just as a soloist, but also on the violin, showcasing his versatility.

A surge of interest in local music and performance groups has been noted recently. According to a 2022 survey by the National Endowment for the Arts, around 50% of adults attend live music performances at least once a year. This reflects a growing appreciation for cultural events like the Glee Club’s tour, highlighting the impact that local ensembles can have on community engagement.

Such performances were more than just music; they were a chance for students to bond, share their talents, and connect with the community. Historical records show that Glee Clubs across the country have been vital in promoting the arts at universities since the 19th century, fostering skills that extend beyond music.

In this way, the University of North Dakota Men’s Glee Club was not only upholding a tradition but also providing a platform for young artists to shine. The echoes of music from such groups resonate long after the final note fades, contributing to the rich cultural tapestry of their communities.

For more insights about the University of North Dakota and its contributions to the arts, visit the [Grand Forks Herald archive](https://grandforksherald.newspapers.com/?xid=6945).

Check out this related article: Empowering Local Development: West University to Introduce $15M Bond Measure for Community Growth This May

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