Filmmaking is full of challenges, and one of the toughest is the continuous shot or “oner.” This technique involves filming a scene in a single, unbroken take, demanding perfect coordination from everyone involved. One small error can ruin everything.
Some iconic examples include the casino scene in Goodfellas and the intense action in Children of Men and Birdman. These moments showcase the blend of artistry and technical skill that makes long takes so captivating.
Recently, however, Chinese filmmaker Bi Gan has raised the bar. His sci-fi film Resurrection features a stunning 30-minute tracking shot, taking viewers on a journey through 20th-century China. In contrast, Sam Mendes’ 1917, renowned for its seamless look, only achieved a maximum take length of nine minutes. Bi’s shot transitions from a violent gang fight to a karaoke bar, then back to the docks, where a surprising twist occurs.
Bi Gan is no stranger to long takes. His debut, Kaili Blues, ended with a 41-minute shot. His previous work, Long Day’s Journey into Night, featured a dreamlike 59-minute take. In these films, he expertly captures time and memory through continuous movement.
During an interview, Bi explained the impact of long takes. “They help the audience understand time,” he said, emphasizing real-time experience and the flow of story without interruptions. He believes that while viewers may notice the long take, they should primarily feel the narrative evolving naturally.
Interestingly, long takes have appeared throughout cinema history, from classic films to modern masterpieces. Studies show that such techniques can enhance viewer immersion and emotional connection. Bi’s mastery demonstrates a deep understanding of how time can be represented in film.
For instance, when asked about his creative approach, Bi mentioned that he aimed to depict a specific day—December 31, 1999—where two lovers’ journey intertwines with themes of transformation. This connection to time adds a historical and emotional layer to the narrative.
Filming a seamless take requires meticulous planning. To prepare, Bi and his team scouted locations that fit the story’s needs, coordinating with art directors and technical crews. This involved extensive rehearsal, with multi-faceted techniques to ensure everything aligned perfectly.
In this age of cinematic innovation, viewers are increasingly appreciating this blending of artistry and technical prowess. Bi Gan’s Resurrection isn’t just a film; it’s an exploration of time, memory, and experience, offering a fresh perspective on the potential of storytelling through long takes.
You can check out more about Bi Gan and his films in notable sources like The Verge.
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