SEOUL, South Korea – Ahn Sung-ki, a legendary figure in South Korean cinema, passed away on Monday at the age of 74. Known for his warm demeanor, he earned the title “The Nation’s Actor.” His agency, the Artist Company, confirmed his death due to long-term blood cancer.
Ahn’s journey began in 1952 in Daegu, where he was born to a filmmaker. He started acting at just five years old in “The Twilight Train” and appeared in about 70 movies as a child. Later, he pursued a degree in Vietnamese at Hankuk University of Foreign Studies. Despite graduating with honors, his job prospects dwindled after the Vietnam War shifted future opportunities.
In 1977, Ahn returned to acting, believing in his talent. His breakout role came in 1980 in “Good, Windy Days,” which focused on working-class struggles during South Korea’s rapid growth. This role earned him the best new actor award at the Grand Bell Awards, the country’s top film awards.
Throughout the 1980s and 90s, Ahn starred in numerous hit films, earning accolades along the way. Some standout performances included a Buddhist monk in “Mandara,” a beggar in “Whale Hunting,” and a Vietnam War veteran in “White Badge.” He set a record by winning the Grand Bell Award for best actor five times—a feat unmatched by any other actor in South Korea.
Fans adored Ahn for his humble nature and family values. Surveys consistently ranked him as South Korea’s most beloved actor. Despite the honor of being called “The Nation’s Actor,” Ahn once expressed initial discomfort with the title. He later embraced it, feeling it guided his career positively.
In a recent interview, he mentioned that his favorite role, a struggling rock singer’s manager in “Radio Star,” felt closest to his real-life character. Ahn was known for avoiding romantic scenes, citing shyness. He once remarked, “I feel shy and can’t express such emotions well,” explaining his hesitation toward love scenes.
Expert opinions highlight Ahn’s impact on the culture of South Korean cinema. Film critic Kim Ji-seok noted, “Ahn’s dedication to the art and his moral compass made him a role model for aspiring actors.” His contributions continue to inspire a new generation of filmmakers and actors.
Ahn is survived by his wife and two sons. A mourning station at a Seoul hospital is set up for fans to pay their respects, showcasing the deep connection he had with his audience.
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