Bugonia Soars: A Record-Breaking Per Screen Debut for 2025 at the Specialty Box Office!

Bugonia’s Strong Debut and the Rise of Specialty Films

Yorgos Lanthimos’s latest film, Bugonia, kicked off its opening weekend with an impressive $690,000 from 17 screens across eight markets. That averages to about $40,600 per theater, positioning it as one of the year’s top specialty film releases. With wider expansion coming next weekend, expectations are high.

In comparison, Lanthimos’s earlier film, Poor Things, had a solid opening, averaging $72,000 across nine theaters. The trend shows that audiences are embracing unique and thought-provoking films more than ever.

Bugonia, featuring Emma Stone, Jesse Plemons, and Alicia Silverstone, follows two young men who believe that a powerful CEO (played by Stone) is an alien. This quirky storyline taps into current themes of conspiracy and mistrust, making it relatable today.

Another notable release, Thamma, a Hindi romantic comedy-horror by Aditya Sarpotdar, grossed $568,000 across 405 theaters, bringing its domestic total to $905,000. The film portrays two lovers battling traditional barriers and supernatural forces, reflecting the ongoing struggle for love against societal norms.

In the horror realm, Justin Lin’s Last Days opened to $161,000 on 312 screens, while the zombie comedy Queens of the Dead garnered $66,600 from 150 theaters. These films contribute to a growing genre that blends humor with horror, offering audiences diverse entertainment.

In documentary filmmaking, Emma Lo’s Mistress Dispeller opened with $23,000 on just three screens. Documentaries often attract niche audiences, showing that there’s an appetite for different storytelling styles.

Among holdovers, Richard Linklater’s Blue Moon saw a significant jump in viewership, bringing in $586,000 in its second week with a cumulative total of $687,000. This demonstrates that strong word-of-mouth can keep films alive in theaters longer.

Mubi’s The Mastermind has also been performing well, grossing $266,500 in its recent expansion. This film, about art thieves in Paris, mirrors real-life art heists, boosting its appeal and relevance.

Lastly, Iranian director Jafar Panahi’s award-winning It Was Just An Accident continued to gain traction with $102,600 this weekend across 11 screens. Its exploration of complex themes resonates with audiences seeking depth in storytelling.

The specialty box office continues to thrive with unique narratives challenging mainstream norms, illustrating a shift in audience preferences toward more engaging and thought-provoking cinema.

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