In John Schlesinger’s classic film Darling, Julie Christie shines as Diana, a model navigating the glamorous yet superficial world of the 1960s. At one moment, she’s asked why she dresses so conservatively despite being seen as a modern woman. This question goes to the heart of the film.
Diana is the embodiment of consumer culture: beautiful and carefree, she has it all—or so it seems. She’s in a high-profile relationship with Robert, played by Dirk Bogarde, who leaves his family for her. Robert brings her the intellectual clout she craves, while she adds a spark to his life. But as their romance unfolds, jealousies and unmet desires simmer beneath the surface. Diana feels a void, craving a deeper connection amidst the glitter of her life.
Now celebrating its 60th anniversary, Darling may feel outdated in some social critiques, yet its themes resonate today. Diana embodies the struggle many face: ambition mixed with a longing for genuine fulfillment. Experts argue that her character mirrors societal pressures we still encounter. In current political discourse, discussions about “strivers”—those who chase success at any cost—often echo Diana’s journey.
The film also dives into hot-button issues like divorce and sexuality, addressing topics that were daring for its time, including LGBTQ+ themes. While some characters faced censorship upon release, they highlight a critical aspect of 1960s society that still influences us. Diana’s pursuit of happiness through social climbing and appearances can be compared to today’s digital influencers who often curate an ideal life online, yet grapple with their true selves behind the camera.
Interestingly, Diana’s emotional struggle reflects a broader mental health issue. Recent studies show that people today frequently experience feelings of inadequacy while chasing societal ideals. This disconnect can lead to anxiety and depression, much like Diana’s turmoil. Diana’s journey, full of glitz and despair, serves as a cautionary tale about the price of superficial success.
Robert, though initially charming, reveals his inadequacies when faced with Diana’s complexities. Laurence Harvey as Miles represents another layer—he enjoys Diana’s allure yet seems less surprised by her actions, hinting at a deeper understanding of her struggles.
Critics often depict Diana as lacking morality. However, viewing her through a different lens, she resembles a modern Faust—caught in temptations that reflect our own societal traps. Her self-doubt and pursuit of happiness make her journey relatable, inviting us to reflect on our definitions of success.
In this way, Darling isn’t just a snapshot of a bygone era, but a timeless exploration of ambition, identity, and the quest for fulfillment. As we revisit the film, we are reminded that the struggle for authenticity remains as relevant today as it was sixty years ago.