What if matchmaking felt more like making a deal? That’s Lucy’s (Dakota Johnson) view in “Materialists.” As a professional matchmaker, she sees relationships through a business lens—thinking of people as equations that need solving. But love is never that straightforward.
Celine Song, who wrote and directed this film, draws from her own matchmaking experiences. The film captures the highs and lows of looking for love, from lofty expectations to small disappointments. Lucy believes in her clients’ love lives even if they don’t. She’s confident, equipped with the right words, and ever so slightly mysterious. Yet, her own romantic life is another story. She jokingly insists that her future husband must be rich.
Enter Harry (Pedro Pascal), a charming brother-in-law at one of her clients’ weddings. With his wealth, looks, and height, he checks all the boxes on Lucy’s list. But he seems more interested in her than in matchmaking. Meanwhile, John (Chris Evans), a cater waiter and Lucy’s past, reappears, complicating things. Soon, a love triangle forms, and Lucy finds herself caught between the two men.
“Materialists” blends smart, sharp dialogue with characters that feel both relatable and aspirational. It taps into themes of love and choice, reminiscent of Song’s earlier film, “Past Lives.” Here, Lucy’s role as a matchmaker means she’s often more analytical about love than emotional, making her journey all the more fascinating.
With the same creative team from “Past Lives,” the film beautifully portrays New York City. The cinematography by Shabier Kirchner captures the city’s warmth, contrasting luxurious settings with more chaotic ones to show Lucy’s internal struggles. The way couples are framed on the streets signifies their tension yet connection.
Lucy’s wardrobe, designed by Katina Danabassis, tells its own story. Her stunning cerulean gown at the wedding is like a character itself, symbolizing her journey from a controlled professional to a more open romantic. Interestingly, critiques of her style have drawn connections to Zendaya’s character in “Challengers,” which sparks discussion among fans.
The real turning point for Lucy isn’t about choosing between men; it’s about recognizing that love goes beyond checklists. In a moment of crisis with a client, she remembers that people are more than just categories or traits. A single flower given genuinely can mean more than many expensive gifts.
Song’s script flows with relatable dialogue and emotions, although some parts feel a bit rushed. These minor flaws don’t overshadow the film’s charm. It reminds us that love isn’t merely a puzzle to solve—it’s often about embracing the unexpected. Sometimes, the most confusing equations lead to the most beautiful results.
As discussions about love continue to evolve in society, this film speaks to the modern standards of dating and connection. A recent survey indicated that over 60% of singles in urban areas use apps for dating, showing how technology shapes relationships today. “Materialists” artfully captures the tension between these modern norms and the timeless search for genuine connection.
For more in-depth insights on relationships and matchmaking, you can refer to credible sources like the American Psychological Association on the complexities of human connections.