A boy, a dog, and a donkey embark on a rather wild adventure. Our main character, Gaspar, lives in a bustling part of Lisbon. He has a strained relationship with his mother, who dreams of him becoming an apprentice. Gaspar, however, is not keen on that path; he enjoys school, especially drawing. But when his father comes home drunk, tensions rise, and eventually, Gaspar feels forced to leave home.
With nowhere to go, he finds a park to sleep in. It’s there that a stranger named Leitão kidnaps him and takes him to a mysterious figure known as the Ogre. Surprisingly, instead of a dire end, Gaspar’s luck turns when the Ogre puts him to work in exchange for shelter in an abandoned theater. Gaspar’s task? Luring tourists into dark alleys where they can be transformed into animals for sale.
This bizarre storyline unfolds with a unique blend of humor and darkness. The Ogre gained his sinister ability through a deal with the Devil, who he believes got the short end of the stick. As Gaspar becomes more disillusioned with his new life, he decides to flee with his animal pals, leading to more escapades as they journey across the country with the Ogre and Leitão hot on their heels.
The film features static shots, often placing characters starkly in the center of the frame. They speak in a formal, almost theatrical way, occasionally breaking the fourth wall. The humor is often dry, and while some viewers may find it hilarious, others might miss the underlying message.
Gaspar, portrayed with a genuine sweetness by Rui Pedro Silva, even proposes marriage to his donkey friend. His innate kindness influences those around him, from ghosts to queens. One poignant moment involves a serpent woman who longs to return to her old self, prompting a discussion on empathy and humanity.
The film cleverly intertwines its narrative with broader themes. One character warns, “Capitalism is never profitable in the long term.” This satirical momentum propels the storyline forward, encouraging audiences to reflect on real-world issues.
A postscript ensures viewers that no animals were harmed in the making of the film, which offers some comfort given the harsh anti-tourist sentiments expressed throughout.
“The Tree of Knowledge” is a distinct piece of art that blends humor with a biting critique of society. It takes its viewers on an unexpected journey, combining fantasy elements with stark realities. Festival goers might take a liking to its peculiar charm, though its unique style may leave some scratching their heads.
To dive deeper into the film industry’s reflections on social issues, check out this insightful report from the American Film Institute. It sheds light on how films often mirror societal changes and challenges.