In 1859, a strong-willed young woman named Mary arrives in the port town of Whitby. She embarks on a journey to a grand stately home, becoming the governess to a lonely nine-year-old girl. Along the way, she develops a complex relationship with a wealthy older man. However, there’s a twist: Mary, also known as Mārama, has traveled over 11,000 miles from New Zealand and is not there to seek romance.
Taratoa Stappard’s film offers a fresh take on the Gothic genre, exploring themes of ancestry, inheritance, and colonialism. While many films about colonialism focus solely on the colonized, this one delves into its psychological impact on the colonizers, making it a standout piece. Ariana Osborne’s compelling performance adds depth, ensuring the film resonates with viewers long after they watch it.
Mārama is on a quest for her roots. Adopted by white parents, she knows little about her background. Finding work as an educated woman of color in England is tough, leading her to reluctantly accept the governess position. Here, she faces Nathaniel Cole, a man unnervingly fascinated by her culture. He possesses sacred objects that reflect his ignorance of their significance. His obsession raises a critical question: Can she reclaim her identity, or will she become another trophy in his collection?
One of the film’s powerful messages is about the fetishization of different cultures. It’s a form of racism that often goes unnoticed, but this film makes it impossible to ignore. Stappard artfully conveys these themes through strong performances and a careful narrative. The more familiar viewers are with Māori culture, the more poignant the details become.
Another layer of tension arises from Peggy, Nathaniel’s West Indian maid. She initially views Mārama with hostility, reflecting the divide often exploited by colonizers. Yet, there’s mutual intelligence between the women that makes them resilient to manipulation. Their dynamic speaks volumes about historical tensions and shared struggles.
The film cleverly uses Gothic motifs, such as reflections that hint at Mārama’s past and future. Despite her comfort with the supernatural, the real horror lies in everyday racism and colonial horrors that emerge as her story unfolds. It’s cinematic storytelling that resonates on various levels, fusing cultures and traditions into a cohesive narrative.
Stappard, who has Māori and English heritage, brings a unique perspective. Mārama is often dressed in strikingly Gothic fashion, yet she feels burdened rather than elevated. This visual metaphor challenges the idea of neatly categorizing individuals and their cultures, emphasizing that people are complex and cannot be easily controlled.
Ultimately, this film masterfully intertwines historical context with personal narratives. A recent survey by the Australian Film Institute revealed that audiences are increasingly drawn to stories that showcase diverse perspectives and challenge traditional narratives, making this film timely and relevant. With its beautiful cinematography and compelling story, this film not only entertains but also prompts reflection on our understanding of history and identity.
In a world where understanding and empathy are more crucial than ever, “Mārama” invites audiences to engage with its themes, ultimately leaving them with much to ponder long after the credits roll.
