Dooba Dooba: A Unique Take on Horror
Dooba Dooba is an intriguing indie horror film that stands out for its unique style and storytelling. Directed by Ehrland Hollingsworth, the film opens with an odd mix of images: a photo of President George W. Bush and his wife, followed by a performance by the U.S. Army Band. This sets a strange tone before we’re taken to a silent, eerie house in the woods.
The film is primarily shot through CCTV cameras, giving it a grainy, lo-fi look reminiscent of old home videos. This distinct style pulls viewers into a raw, unsettling experience. By avoiding traditional Hollywood methods, Hollingsworth creates a found-footage feel that’s both intriguing and disorienting.
At the heart of the story is Monroe, a socially awkward teenager played by Betsy Sligh. Monroe, who suffers from severe anxiety, is still grieving the death of her brother, Roosevelt. The film’s title, Dooba Dooba, refers to a form of two-way communication Monroe has with her family, emphasizing her struggle for connection amidst her isolation.
Everything changes when Amna, an aspiring singer and babysitter played by Amna Vegha, arrives to watch over Monroe. Initially, their interactions are awkward yet lighthearted. But as the night progresses, the tension builds. Hollingsworth includes odd archival clips and even rewinds the footage, which adds to the growing sense of dread.
Critics have noted the strong performances from both Sligh and Vegha. Their contrasting personalities highlight the emotional stakes of the film. As viewers, we find ourselves questioning what we’re seeing, creating a surreal experience that keeps us on edge throughout its 75-minute runtime.
Interestingly, rather than relying on jump scares—a common technique in horror—Hollingsworth focuses on building tension. This approach has resonated with audiences who appreciate a deeper, more psychological kind of horror.
In recent surveys, many viewers expressed a preference for films that prioritize character development and story over traditional scare tactics. This shift reflects a growing interest in fresh storytelling methods, making Dooba Dooba a timely addition to the genre.
Ehrland Hollingsworth is an emerging voice in horror, and Dooba Dooba offers a fresh take on the found-footage subgenre. As audiences seek more innovative narratives, this film stands as a testament to the evolving landscape of horror cinema.
For more insights on indie films and the shift in horror storytelling, you can check out IndieWire for the latest trends and expert opinions.
