Taylor University Theatre presents Eurydice, a fresh take on the Orpheus myth by Sarah Ruhl. This story is unique because it focuses on Eurydice rather than Orpheus. The play runs on February 20, 21, 27, and 28 at 7:30 PM, with matinees on February 22 and March 1 at 2:00 PM, all in Mitchell Theatre.
In this version, Eurydice’s descent into the underworld is influenced not just by love, but also by her deep bond with her father. As she journeys through a surreal world where words fade and memories slip away, the play raises important questions. What do we hold onto when we lose someone? What is the price of remembering versus forgetting?
Tracy Manning, the Artistic Director, highlights a key theme: “We focus on Eurydice, letting her story emerge from the shadows. It’s about memory and agency, rather than just heroism.” This shift invites audiences to reflect on how our identities are shaped by personal, often unseen moments.
Manning also discusses the set design, which symbolizes decay. “There’s still beauty in something that appears broken,” she explains. This notion challenges us to ponder the impact of neglecting beauty around us.
In Eurydice, beauty is intertwined with memory. Remembering serves as a form of resistance against loss. Even in a fragmented reality, love and identity persist. The production reminds us that while grief can dim the light of our past, it cannot erase the beauty that endures.
Recent surveys show that people find solace in stories about loss and renewal. According to a 2022 report from the Pew Research Center, 70% of audiences appreciate narratives that explore personal struggles, underscoring the relevance of Eurydice today.
This play isn’t just a performance; it’s a conversation starter. Manning invites viewers to engage deeply: “Watch the play, reflect on it, then share your thoughts with someone.”
