Diana (Grace Glowicki) has always had a crush on Homer (Ben Petrie). He’s her quirky guy, but she’s haunted by questions. Is he still going to love her as she ages? What if she gets sick? These worries bubble up, especially after a car accident changes everything. Diana struggles to regain her sense of self, while Homer tries to provide support. Fortunately, he is unharmed and reassures her that a new treatment center will help. When they arrive at the remote clinic, surrounded by beautiful gardens, there’s something unsettling. A woman struggles to leave with help, and everything feels too reminiscent of the 1970s’ eerie dramas.
Once inside, they’re greeted by a stern staff member (Kate Dickie). The atmosphere feels weighty, as if they are being watched. Diana can’t shake the feeling that something is off. The place is quiet, and while resting and relaxing are part of the treatment, she begins to experience strange visions. Are they from the accident or the treatment? It’s hard to tell. The story, directed by Dusty Mancinelli and Madeleine Sims-Fewer, plays with themes of terror, uncertainty, and recovery. It may feel familiar, yet it twists expectations in unique ways. Diana’s journey through the clinic reveals deeper issues about relationships and personal strength, making it intriguing rather than predictable.
“Honey Bunch” is much more than a typical horror film. It touches on disability and evolving relationships, which adds layers to the narrative. The film features impressive performances, including Julian Richings as an odd character linked to Dickie’s role, and Jason Isaacs as a father struggling with his daughter’s care. Their interactions illuminate complex bonds and tensions that many viewers can relate to. Historian John H. McWhorter notes that films like this often reflect society’s fears and attitudes towards mental health, especially in earlier decades. It’s a good reminder of how far we’ve come, yet also how some issues remain unresolved.
One aspect that stands out is the film’s delicate handling of clichés. It doesn’t dismiss science or progress; instead, it explores the gray areas in between. The pacing can feel uneven, with some moments dragging, particularly in the middle section. However, the cinematography by Adam Crosby makes the journey worthwhile. Viewers will appreciate the attention to detail, especially the house’s intriguing décor, which ultimately becomes a character itself.
In a world where mental health narratives often lean into melodrama or caricature, “Honey Bunch” offers a refreshing perspective. With social media buzzing with reactions, many find themselves engrossed in discussions about the film’s thoughtful approach to challenging themes, something notably lacking in older content. The film gained recognition at the Berlin International Film Festival, and it’s easy to see why. It manages to blend tension, emotion, and genuine depth, creating a captivating viewing experience.