The iPhone 17 series just hit the market, but there’s a hiccup for users of Adobe’s Project Indigo camera app. While you can run it on an iPhone 12 Pro, the latest iPhones like the iPhone 17 Pro aren’t supported yet. The delay seems to revolve around issues with the new selfie camera. Adobe’s forum has shed some light on this situation.
Boris Ajdin, a product manager for Project Indigo, has kept users informed. In a recent post, he explained that they are facing challenges with the front camera and have alerted Apple about it. A fix is expected in the upcoming iOS 26.1 update. Until then, the front camera feature might be temporarily disabled in Project Indigo.
Initially, the team hoped to roll out an update quickly, but it’s clear more time is needed. Ajdin has expressed optimism about releasing an update soon. I reached out to Adobe for further details, but they directed me back to the forum posts.
Project Indigo has gained traction since its summer launch, celebrated for its more natural photo processing. Marc Levoy, known for his advancements in computational photography with Google Pixel, leads the project. Right now, Indigo is only available on iOS, leaving Android users in wait. Levoy has mentioned that supporting Android is on their radar but presents its own set of challenges.
Curiously, Adobe’s delay highlights a growing trend. Many users are turning to social media to voice their frustrations and seek updates. A recent survey found that 74% of smartphone users prioritize camera quality in their device choice. As technology continues to evolve, users expect their apps to keep pace.
For now, iPhone 17 users have to be patient. The camera app community is keenly watching for updates, while many anticipate the innovations that come with new tech. You can find more about Project Indigo’s updates on Adobe’s community forum here.
With the right fixes, Project Indigo could truly redefine mobile photography. Users are eager to see the updates roll out, and the buzz around this app shows just how much people value their photographic experiences in this digital age.
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