LOS ANGELES — “I’m Still Here,” a powerful film about a family affected by Brazil’s military dictatorship, has made history by winning Brazil’s first Oscar for Best International Film.
The movie, directed by Walter Salles, tells the story of Eunice Paiva, played by Fernanda Torres. Eunice’s husband, Rubens Paiva, a former congressman, was taken from their home in Rio de Janeiro in 1971 and never returned. The film focuses on Eunice’s resilience as she raises their five children without answers about his fate.
During his acceptance speech, Salles honored Eunice’s strength and the performances of Torres and Fernanda Montenegro, who portrays the older Eunice. He said, “This goes to a woman who decided not to bend and resist.” The audience responded with a standing ovation.
Brazil’s President, Luiz Inácio Lula da Silva, celebrated the achievement, expressing pride in the nation’s cinema and democracy. He wrote on X, “Today is the day to feel even prouder of being Brazilian.”
At the Sambadrome in Rio de Janeiro, where Carnival festivities were underway, the announcer shared news of the Oscar win, prompting cheers from the crowd. “Let’s celebrate!” he exclaimed, recognizing Salles and Torres for their achievement.
The film is based on the memoir of Eunice’s son, Marcelo. It explores themes of endurance and the fight against injustice. Salles noted that the story’s universal message of overcoming loss resonates with audiences worldwide.
“This woman had the chance to give up, but she chose to embrace life,” Salles reflected. “The film is about hope and the strength to face challenges.” Eunice’s determination is highlighted in one scene, where she tells her children to smile for a newspaper photo, illustrating their resilience in the face of tragedy. Torres emphasized, “The smile is a kind of resistance.”
“I’m Still Here” is a significant film crafted by one of Brazil’s most respected directors, known for works like “Central Station” and “Motorcycle Diaries.” Other films nominated for the Best International Film category this year included “The Girl with the Needle” from Denmark and “The Seed of the Sacred Fig” from Germany.
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