US indie director Jim Jarmusch surprised many by winning the Golden Lion at the Venice Film Festival for his film Father Mother Sister Brother. This three-part story explores the complex relationships between parents and their adult children.
Despite positive reviews, many had expected the top prize to go to The Voice of Hind Rajab, a powerful film about the tragic killing of a five-year-old Palestinian girl during the Gaza conflict. It ended up receiving the Silver Lion.
Father Mother Sister Brother unfolds across New Jersey, Dublin, and Paris, featuring a cast that includes Tom Waits, Adam Driver, and Cate Blanchett. The Guardian praised it as “a film to savour,” highlighting its depth and humor.
In his acceptance speech, Jarmusch acknowledged the unexpected honor, emphasizing that filmmakers are not typically driven by competition. He also discussed concerns about one of his distributors having ties to the Israeli military.
The Venice Festival often sets the stage for the Oscar race. In recent years, films that premiered there have garnered over 90 Oscar nominations and won nearly 20 awards. This year, however, the films that left a mark were notably political, reflecting current global events. The ongoing Israeli invasion of Gaza cast a shadow over many screenings.
The Voice of Hind Rajab received a standing ovation that lasted 23 minutes at its premiere. Critics described it as a “fierce and vehement work.” The film includes real audio recording of the girl’s desperate pleas for help, resonating deeply with viewers.
Director Kaouther Ben Hania spoke about the lasting impact of cinema, emphasizing how it can preserve voices that demand justice, even in the face of overwhelming tragedy.
Best actor went to Toni Servillo for his role as a tired president in La Grazia, while China’s Xin Zhilei won best actress for The Sun Rises on Us All, a drama about sacrifice and guilt between estranged lovers.
The best director nod went to Benny Safdie for The Smashing Machine, featuring Dwayne “The Rock” Johnson. Safdie expressed his amazement at being among such notable filmmakers.
The festival saw several high-profile films go home empty-handed, including Netflix’s A House of Dynamite and Frankenstein.
In a press conference, jury president Alexander Payne addressed criticisms regarding the jury’s decision on The Voice of Hind Rajab, insisting that both films deserved recognition.
Overall, the 2025 Venice Film Festival highlighted the intersection of art and pressing world issues, showcasing a diverse array of voices and stories that resonate beyond the screen.
For more insights on film and politics at the festival, check out this report from The Guardian.