In a reimagined 1930s world grappling with the Great Depression, young Em (Milly Shapiro) faces a unique challenge. Unlike others struggling to survive, Em must undergo a crucial rite of passage: hunting her first griffin.
“Why are they so ugly?” she asks her mother, Selma (Pollyanna McIntosh), who explains that their environment contributes to their appearance, along with inbreeding. Em has her sights set on a queen griffin, not the less appealing males. Armed with an ornate knife, a family heirloom, she prepares for her daunting task.
Alex Thompson’s film, screened at Fantasia 2025, is stunningly shot in black and white. This choice, fitting for the Thirties, allows viewers to focus on the intricate textures of the creatures without the distraction of color. It’s a refreshing return to detailed craftsmanship, avoiding reliance on generative AI.
The narrative introduces two types of beings: the majestic griffins and the playful wood nymphs, whose calls draw Em away from her mission. This moment reveals her suppressed childhood innocence, and as she empathizes with a wood nymph, a shift occurs. Will she still go through with the kill?
Selma’s character embodies a stringent sense of duty often associated with masculinity. She follows tradition without questioning it, leading both her and Em into emotional turmoil. Em stands at a crossroads, where she might forge a new path, but at what cost?
The film isn’t just visually striking; its depth sets it apart from typical fantasy tales. It challenges viewers to consider the weight of tradition and the possibilities of change.
This film resonates with current trends in storytelling. Many audiences now crave narratives that explore deeper themes, blending personal journeys with fantastical elements. As the demand for unique storytelling increases, films like this one remind us of the power in juxtaposing the extraordinary with heartfelt human experiences.
For more insights on changing trends in film, you can check out the Pew Research Center and their reports on audience preferences.