Karolina Wydra, the talented actress from Poland, painted a vivid picture of her early years in a small village. With few entertainment options, she found joy watching pirated American movies, like Dirty Dancing and Purple Rain, projected on a makeshift screen. These films sparked her love for acting, leading her to take up ballroom dancing and participating in school plays.
After moving to the U.S., Wydra began her career in the late ’90s as a model. She graced the cover of German Elle and shared the screen with George Clooney in a memorable Nespresso ad. Living in New York, she immersed herself in theater, which she now considers incredibly healing.
Wydra has acted for nearly three decades, featuring in popular films like Crazy, Stupid, Love and hit TV shows like House and True Blood. She longed for the opportunity to work with Vince Gilligan, the genius behind Breaking Bad.
For Wydra, stepping back from acting to have children was crucial. It was a tough choice, especially in an industry where breaks can lead to losing representation. After a hiatus during the COVID-19 pandemic, she received an audition for Pluribus, and hesitated—what if it didn’t work out?
She landed the role in March 2024. “I’m still pinching myself,” she says, reflecting on her journey.
To portray Zosia, a character in Pluribus, she used various acting techniques. These included dreamwork and Jungian methods, which allowed her to tap into a deeper emotional state and channel unconditional love for humanity. Zosia is part of a tranquil group that has no fear or pain, presenting challenges in embodying her character.
As the season unfolds, Zosia’s relationship with the main character, Carol, evolves from maternal to romantic. Wydra’s experiences as a mother helped her connect deeply with Zosia’s unconditional love.
Despite the Others’ intent to care for Carol, their actions can come off as manipulative. Key moments in the show, like Zosia’s reunion with Carol and their first kiss, were filmed in multiple ways to convey different emotional dynamics.
Online discussions have drawn parallels between high-stakes moments in Pluribus and themes of consent, particularly regarding the past traumas of Carol, who faced conversion therapy. This connection resonates, highlighting the deep emotional struggles the characters endure.
Wydra is cautious about venturing into fan discussions. “I’m sensitive,” she admits, wanting to protect her portrayal of Zosia. She feels a genuine bond between Zosia and Carol.
As the first season concludes, Wydra teases that Zosia and Carol find themselves at odds, setting the stage for an intense second season. Wydra eagerly awaits to see what Gilligan has in store and hopes production ramps up soon.
It’s clear that Wydra’s journey, both in her career and as a person, reflects deep emotional currents, making her story as compelling as her on-screen characters.
For more insights into the impact of storytelling on emotional health, check out this research from the American Psychological Association on how narratives shape our experiences.
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Apple TV,Karolina Wydra,Pluribus,Rhea Seehorn,Vince Gilligan
