Pixar’s new film, Hoppers, is making waves at the box office. Directed by Pete Docter, it opened globally with a remarkable $88 million. Of that, $42 million came from international markets, while $46 million was earned in the U.S. This is the best start for an original animated film in years and the best for Pixar since Coco in 2017.
In the U.S., Hoppers saw an impressive boost over the weekend. On Saturday alone, it made $19.1 million, a 45% jump from Friday’s $13.2 million. Audiences are responding well, with a mix of 52% general viewers and 48% families attending. This is notable since Pixar films usually attract a larger family audience.
Hoppers ranked as the top film in several major markets. In the UK, it earned $6.4 million, with impressive numbers in Mexico ($3.7 million), France ($3.6 million), and Germany ($3.5 million). It even managed to surpass local favorites in some regions, showing its broad appeal.
Its strong performance was remarkable because it was released outside a holiday period. Families seem eager to see Hoppers, which has sparked positive word-of-mouth.
In Europe, it topped the charts in nearly every market and achieved the second-highest opening weekend of 2026, only behind Coco. Over in Latin America, Hoppers also opened at number one across the board, setting records for animated films this year.
Interestingly, Hoppers debuted in five markets this weekend—Korea, the Philippines, Thailand, India, and Indonesia. In all these places, it became the highest-grossing animated film since the pandemic, hinting at its potential to attract more audiences. The upcoming release in markets like Japan and China will be crucial for its overall success. Pixar’s past films haven’t always performed well in China, but Hoppers has some advantages, especially since it is being promoted alongside Zootopia 2, which is performing strongly there.
In contrast, The Bride, a film by Maggie Gyllenhaal, struggled at the box office. It earned $6.3 million across 70 international markets, which fell short of expectations. With a production cost of $80 million, it didn’t attract the audience needed to break even. The film’s highest grossing was in the UK, where it brought in $950,000.
These contrasting performances highlight the varying tastes of global audiences. While Hoppers is drawing families and animation lovers, The Bride hasn’t found its footing. Overall, it shows how crucial effective marketing and audience engagement are in today’s film landscape.
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