Scooter Braun, the former manager of stars like Justin Bieber and Ariana Grande, recently opened up in a rare interview with Suzy Weiss on the “Second Thought” podcast. This talk comes after Braun stepped down as CEO of Hybe America last year. In the interview, he shares thoughts on his career, family, and some high-profile artists he has worked with.
Braun reflects on the unique position he held in the music world, saying, “I saw everything.” He managed multiple celebrities and witnessed both their highs and lows. For example, during his years working with Justin Bieber, he sensed a special connection, calling Bieber “extraordinary” and noting that their journey was incredibly rewarding.
He also touches on his experience with Kanye West, describing how West’s creativity reshaped his view of music and design. He recalls a memorable moment from West’s “Pablo” tour and how their discussions on merchandise led to an innovative t-shirt design that became a bestseller. Even as Braun and West have gone their separate ways, the lessons Braun learned from that collaboration remain significant.
In a candid admission, Braun discusses the backlash he faced from acquiring Taylor Swift’s masters. This move instantly turned him from a respected figure to a controversial one. “I don’t know Taylor Swift,” he insists, clarifying that their interactions were limited. He recognizes the misunderstandings around his actions and acknowledges the growing trend where artists are demanding ownership of their music—something that has become increasingly relevant in today’s industry.
As he reflects on his current life, Braun focuses on his family. “I’ve been a little restless,” he admits, while also expressing gratitude for the relationships in his life. He is exploring new ventures but wants to be patient this time.
The podcast reflects not only Braun’s personal journey but also sheds light on current trends in the music industry, like artists taking more control over their careers. As more musicians seek ownership of their work, the conversation around rights and representation continues to evolve.
In discussing the landscape of celebrity and music management, Braun offers a glimpse into the complexities that come with fame. He emphasizes the importance of empathy and growth, revealing that even in challenging situations, there’s potential for forgiveness and understanding.
For additional context, the current trend of artists pursuing ownership of their master recordings has gained momentum. According to a recent survey by the Recording Industry Association of America (RIAA), over 60% of artists now prioritize owning their music over traditional label contracts. This reflects a significant shift in the industry, influenced by the experiences of artists like Swift and Braun’s role in these conversations.
Overall, Braun’s insights not only highlight his experiences but also underline the changing dynamics of the music world where artists are increasingly standing up for their rights and identities.
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Sydney Sweeney,Taylor Swift

