NEW YORK – In his latest film, “Presence,” Steven Soderbergh takes on multiple roles as director and cinematographer, but he also embodies the film’s essence. The movie is shot entirely from the perspective of a ghost haunting a house recently moved into by a family. Using a small digital camera and even wearing slippers to minimize noise, he captures the haunting story of violence and fear.
At 62, Soderbergh is a busy filmmaker, juggling post-production on his upcoming thriller “Black Bag” and starting work on a romantic comedy that he describes as inspired by George Cukor’s style. Known for hits like “Ocean’s 11” and “Magic Mike,” he completed “Presence” in just 11 days, showcasing his ability to work efficiently.
During a recent conversation in Manhattan, Soderbergh opened up about his unique approach to filmmaking and how he navigates the industry. Working quickly and outside the traditional studio system allows him to create without the pressure of too many opinions. He appreciates the freedom this brings, even if it sometimes requires dealing with lawyers in more conventional projects.
He also voiced his concerns about streaming services, calling them potentially harmful to the film industry. Soderbergh believes that knowing how films perform helps filmmakers gauge their success and understand audience preferences. He worries that the lack of visibility in streaming affects the creativity and direction of filmmakers. “Being irrelevant isn’t very appealing,” he says, emphasizing a desire to create work that resonates with viewers.
On a brighter note, he points out that young audiences are returning to theaters, particularly those who appreciate unique and artistic films. This new generation, described as cine-literate, expects a filmmaker’s personal touch. Soderbergh urges others in the industry to redefine what success means beyond just box office numbers.
Soderbergh reflects on his influences, nostalgic for a time when the best films were also the most popular. He mentions the challenges of adapting to an evolving audience and emphasizes that filmmakers need to embrace change rather than try to control it. With nearly four decades in the industry, he humbly acknowledges his resilience, jokingly referring to himself as “the cockroach of this industry.”
Though he often shifts styles between films, Soderbergh finds this evolution enriching rather than exhausting. He acknowledges the ongoing search for something profound in his work. He is proud of films like “Out of Sight” but maintains that he strives for something even greater, always pushing his boundaries.
His roots and upbringing shaped his down-to-earth perspective. He credits mentors who kept him grounded, allowing him to focus on his craft without inflated notions of grandeur. Soderbergh’s journey reflects his commitment to cinema, and he feels grateful to still be creating art that resonates with audiences.
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Entertainment,Peter Andrews,Steven Soderbergh,George Cukor
