‘Turn Me On’
Rent or buy it on most major platforms.
In Michael Tyburski’s film, “Turn Me On,” interactions are strangely polite. Instead of asking how someone feels, people greet each other with, “Are you content?” The reply is usually, “Quite content.” This lack of emotion is how the system keeps control. Everyone takes a daily “vitamin” that suppresses feelings, creating a world of blandness.
When Joy (Bel Powley) pauses her vitamin intake during cancer treatment, everything changes. Suddenly, she feels emotions she never knew existed. She nudges her partner, William (Nick Robinson), to stop taking the vitamin too. With their feelings free, they awkwardly explore sex and the complexities of jealousy. Angela Bourassa’s script has some gaps—like the absence of books or movies about love in this world—but overall, “Turn Me On” cleverly highlights the dangers of conformity.
‘Future Date’
Watching movies for reviews often reveals bleak futures. Earth is in danger, and AI threatens humanity. However, not all gloomy tales come from dark sci-fi. Sometimes, they appear in romantic comedies. Beneath the humor, these films expose how technology complicates love. Imagine a future where finding a date is nearly impossible, even with a lack of water.
In Stanley Wong’s “Future Date,” the story unfolds many years from now. The planet is so affected by climate change that people can barely leave their homes. Ry (Wong) and Ria (Shuang Hu) win a contest allowing them three days in a real house. If they can connect, they get to stay longer. Instead of focusing on the outside world’s chaos, Wong showcases the characters trying to find love within their small space. They know the present is grim, but their desire for connection keeps them hopeful.
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Movies,The Universal Theory (Movie),The Wild Robot (Movie),Turn Me On (Movie),Future Date (Movie),Acid (Movie)
