Sydney Sweeney wants her films to make a difference. In her recent roles in The Housemaid and Christy, she tackles serious topics like domestic violence. “This subject is really important,” she says, emphasizing the need for stories that confront tough issues.
The Housemaid, based on Freida McFadden’s bestselling novel, features Sweeney as Millie Calloway. The book is especially popular on TikTok, where readers rave about its twists and turns. Sweeney admits she’s a big fan of the book and loves the complex characters. She describes the story as “juicy” and a dream project for her.
Alongside Amanda Seyfried, who plays Nina Winchester, Sweeney appreciates their chemistry. Seyfried mentions their striking similarities go beyond appearance; they share similar views on acting and life, which enhances their performances. Their bond allows them to explore deep emotional places with their characters.
In bringing The Housemaid to the screen, both Seyfried and Sweeney felt the importance of accurately portraying mental health issues. Seyfried said it’s essential to reflect real life, especially in a film that can be difficult to watch. The film draws comparisons to classic domestic thrillers but updates the conversation for today’s audience.
Director Paul Feig aimed for sensitivity in addressing heavy topics. He noted the shift from physical to psychological abuse, which can be just as harmful. This concern reflects a broader trend in Hollywood, where films about domestic abuse face scrutiny. For example, the promotion of the upcoming film It Ends With Us raised questions about how such themes are presented in a romantic context.
Brandon Sklenar, who plays a different kind of character in both The Housemaid and It Ends With Us, shared the challenges of portraying abuse. He finds that such intense roles can affect him personally.
Critics have responded positively to The Housemaid, which opened with a strong $19 million in North America. The success is significant for Sweeney, especially following a tough year of public scrutiny and mixed reception of her other projects. Many have praised the film’s gripping storytelling, noting its relevance in today’s discussions about domestic violence.
With two sequels to the original novel already published, more adaptations may be in the pipeline. Feig sees novels as vital sources for new films since they come with built-in audiences. He aims to stay true to the original material while also adding fresh elements that surprise viewers. This balance of respect for the source and creative adaptation is what he strives for.
In the end, The Housemaid delivers not just entertainment but also a chance for viewers to reflect on important social issues.
