Jack Thorne appears a bit overwhelmed as he steps off a train and picks up the phone for a conversation about his latest project, Adolescence. This new series has quickly gained widespread popularity, taking the top spot on Netflix’s charts in 71 countries.
Thorne, known for his busy schedule, reflects on the excitement surrounding Adolescence. The show tells the story of 13-year-old Jamie Miller, portrayed by newcomer Owen Cooper, who gets arrested on suspicion of murder. The narrative unfolds across four continuous episodes, each shot in one take, revealing Jamie’s troubling encounters with harmful online communities and the impact of his actions on his family.
In his discussion with Deadline, Thorne emphasizes the big question he aims to explore: Why is violence among young men towards women increasing? He believes this is a topic many recognize but often don’t explore deeply. Thorne hopes that through Jamie’s story, viewers will gain a better understanding of this pressing issue.
Thorne also credits the unique format of the series for enhancing its appeal. He believes the one-shot style adds a sense of realism, allowing audiences to feel the weight of the story without neatly packaged answers. This creative decision seems to challenge traditional expectations of storytelling, fostering curiosity among viewers.
As the conversation shifts, Thorne touches on a pressing concern for writers in the UK. He expresses worry that funding cuts and the rise of specific popular genres, like crime shows, are stifling creativity. He remembers a time when diverse stories flourished in British television. Today, he feels young writers are being steered away from sharing their unique experiences, as the focus shifts to what’s perceived to be financially safe.
The recent economic climate has heightened these fears. The UK is experiencing a significant financial downturn, which makes it harder for new stories to emerge. Thorne hopes to see the likes of trailblazers like Michaela Coel and Jimmy McGovern surface, but this can only happen if institutions like Channel 4 and the BBC continue to have the support needed to produce diverse content.
On the topic of funding models, Thorne advocates for a collaborative approach involving streaming services like Netflix, which he hopes will contribute to nurturing new talent. He believes such cooperation can keep storytelling vibrant and relevant.
Reflecting on Adolescence, Thorne mentions the unusual production process. Without an editing phase, the script evolved collaboratively with the cast, allowing for richer character development. He felt this approach led to an authentic representation of his vision on screen. The dialogue between characters, particularly in the series’ closing scene, went through numerous iterations to ensure it conveyed the right emotions and depth.
Despite the challenges, Thorne’s dedication shines through. He captures current trends and social issues while inviting viewers to reflect on their experiences. Adolescence is more than just a show; it is a call to explore the complexities of youth and the societal pressures that shape them.
For a closer look at social issues in media and the landscape of British television, you can explore the BBC and its role in shaping narratives today.
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Source linkAdolescence,Jack Thorne,Netflix,Plan B,Stephen Graham
