Dheeram: A Mixed Bag of Thrills and Frustration
When it comes to Indian cinema, the latest Malayalam film “Dheeram” brings a cocktail of intrigue and disappointment. The film, directed by Jithin Suresh T, struggles to maintain a balance, often missing the mark.
A notable misstep lies in its use of background music, crafted by Manikandan Ayyappa. Instead of enhancing the viewing experience, the score overwhelms it, drowning out dialogue and distracting from key moments. In fact, nearly all scenes feature an overly loud score that seems oblivious to the action unfolding on screen. Expert opinions in film scoring often stress the importance of synchronization between music and visuals. Here, that connection is sorely lacking.
One may wonder about what went wrong during production. Did no one at the studio notice these glaring issues before release? This oversight begs the question: Are filmmakers too close to their projects to see the flaws?
The narrative dives into the world of crime, introducing ACP Stalin Joseph, played by Indrajith Sukumaran. He investigates a series of murders linked to a serial killer with a dark past. However, as the story unfolds, it quickly becomes clear that while the writers sought to build tension, the execution lacks punch. Boring dialogues and shallow character development make it difficult to connect with the film.
It’s worth noting that the film also attempts to tackle sensitive subjects, like gender-based violence. However, it does so without the necessary narrative depth. Current trends show a growing concern over how such topics are portrayed in media. Often, filmmakers are criticized for sensationalizing rather than sensitively handling these issues. In “Dheeram,” this misjudgment is glaringly evident.
Some online discussions have highlighted viewer fatigue with a repetitive formula in thrillers. Many argue that the portrayal of violence against women in films can sometimes overshadow character development, leading to a narrative that feels regressive. This reinforces the importance of thoughtful storytelling that respects its subjects.
Visually, “Dheeram” attempts to introduce some innovative elements, like flashbacks for character backstory. Still, these twists feel forced and unconvincing. They don’t elevate the narrative as intended. It’s the kind of plot device that can either spark excitement or leave the audience scratching their heads in confusion.
Ultimately, “Dheeram” tries to cover too much ground but stumbles on execution. While it opens with promise, the unraveling of its plot falls flat. The commitment to shock value over substance leaves viewers more exhausted than engaged.
In conclusion, while “Dheeram” had the potential to be a captivating thriller, it ultimately serves as a reminder of how important it is for filmmakers to prioritize coherence and depth in their storytelling. In a crowded field of content, films that ignore these elements risk losing their audience’s attention altogether.
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