Lana Del Rey took the stage at Stagecoach, described as a “very special country set.” Fans were curious about what this would entail. After a captivating 65-minute performance, many were still pondering exactly what genre they had witnessed. Yet, one thing was clear: it was beautiful, echoing her signature style.
Confusion lingered around whether her upcoming album would truly embrace country sounds. She hinted at it being country, then stepped back from that claim. At Stagecoach, she paid homage to country legends early in her set with "Stand By Your Man" and closed with the classic, “Take Me Home, Country Roads.” However, her new music and interpretations remained unmistakably Lanacore.
In true Lana style, her songs are rich with quirky, personal stories. A standout moment was her new track "57.5," where she humorously name-dropped country star Morgan Wallen. The line “I kissed Morgan Wallen” sent the crowd into a frenzy, revealing her knack for blending the unexpected with the relatable.
Del Rey’s set was dreamy, akin to her slower Coachella appearance last year. While Post Malone embraced country during his set last year, Lana invited the audience to join her world. Fans knew her tunes well, singing enthusiastically along. This was evident as they matched the energy of her set, exemplifying their deep connection to her music.
Among the new songs she introduced were "Husband of Mine" and "Quiet in the South." The latter opened with mariachi-inspired horns, shifting to a gentle mix of piano and strings. Del Rey posed an intriguing question in the song: “Should I turn on the light, or burn down the house?” Her imagery was striking, blending serenity with chaos, providing a unique experience.
During the show, technology played a role. A lag of nearly 50 minutes on the Prime Video stream puzzled some fans, leading to frantic social media chatter. Many were trying to decipher the live setlist, revealing a strong desire to connect with the experience, even from afar.
Del Rey invited guest artists, like George Birge for “Cowboy Songs.” Despite the confusion over her duets, particularly with fan assumptions about Luke Combs, her collaboration showcased her support for rising country talent. The harmony between her and the Secret Sisters during “Let the Light In” illustrated a genuine connection to the genre.
Ultimately, Del Rey’s stage presence melded orchestral elements with traditional country vibes, making the performance feel right at home in both intimate and grand settings. It’s clear her sound is evolving, dancing through genres without fully committing to one. As fans anticipate her new album, they remain eager to see where she’ll take them next.
Given her adventurous exploration into country sounds, it’s essential to trust her creative instincts. After all, a touch of humor mixed with heartfelt storytelling makes for an engaging experience. So, sit back and enjoy the ride; Lana knows where she’s heading.
Setlist from Stagecoach:
- “Husband of Mine”
- “Henry, Come On”
- “Stand By Your Man” (Tammy Wynette cover)
- “Cowboy Songs” (George Birge cover)
- “Ride”
- “Video Games”
- “Norman F-in Rockwell”
- “Arcadia”
- “Let the Light In” (with the Secret Sisters)
- “Quiet in the South”
- “Bluebird”
- “Summertime Sadness”
- “57.5”
- “Take Me Home, Country Roads” (John Denver cover)
For more on genre-bending artists, check out Billboard’s latest trends.
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Lana Del Rey,Morgan Wallen,Stagecoach