Andrey Zvyagintsev faced life-threatening COVID complications in 2021, but he has made a powerful return with his new film “Minotaur.” This film showcases his trademark style—dark, thought-provoking, and politically charged, much like his acclaimed works “Leviathan” and “Loveless.”
“Minotaur” draws inspiration from Claude Chabrol’s 1969 film “The Unfaithful Wife.” In this story, we follow Gleb Morozov, a selfish CEO, as he confronts his wife’s infidelity. While the premise may seem familiar, Zvyagintsev takes us on a bleak journey into the heart of despair and betrayal.
Set against the backdrop of a politically tense Russia during the war in Ukraine, Gleb lives in a sleek suburban home. His wife, Galina, played by Iris Lebedeva, fills her days managing their son Seriosha and grappling with her own ennui. When Gleb discovers her affair with a younger man, the story unfolds predictably—but Zvyagintsev’s lens offers an unsettling take on the consequences.
Lebedeva’s performance is striking. She embodies a woman trapped in a mundane life, seeking life’s thrills outside of her marriage. Whether it’s her longing for excitement or her bitter confrontations at home, her character resonates deeply.
Critics note that Zvyagintsev’s films often explore doom and despair, a theme that permeates each frame of “Minotaur.” The cinematography, once again handled by Mikhail Krichman, captures stark realities, with haunting visuals that invite viewers to linger on the characters’ suffering.
One powerful scene features Galina and her lover in a surreal moment of intimacy that ultimately shifts back to despair. The music, composed by Evgueni and Sacha Galperine, heightens the film’s tension, leaving little room for hope.
Zvyagintsev masterfully weaves personal and political narratives. The film portrays how personal betrayals can echo larger societal issues, akin to Hitchcock thrillers set in dark times.
While “Minotaur” may follow familiar beats for loyal fans of Zvyagintsev, its execution is captivating. The film concludes with haunting imagery, reminding us that escape from reality is far from easy.
Though some may find similarities with his previous works, the raw intensity and visual storytelling pull you in. Zvyagintsev’s return is a reminder of the complex human emotions amid turmoil.
Grade: A-
“Minotaur” premiered at the 2026 Cannes Film Festival and will be released by Mubi later this year.
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