“Unpacking ‘Anniversary’: A Gripping Movie Review on America’s Authoritarian Shift | InSession Film”

Director: Jan Komasa
Writer: Lori Rosene-Gambino
Stars: Diane Lane, Kyle Chandler, Phoebe Dynevor

Synopsis: This gripping thriller follows a tight-knit family facing turmoil as a controversial movement, “The Change,” sweeps the nation.

At first, it’s all laughs. But soon, the satire of family politics reveals a darker reality. In *Anniversary*, Jan Komasa, a Polish filmmaker making his Hollywood debut, cleverly explores the unsettling transformations happening in America today. He poses a fundamental question: Have the United States ever truly been united?

Komasa’s past work has always tackled difficult subjects. In films like *Corpus Christi* and *The Hater*, he has delivered hard truths wrapped in unsettling humor. His deep understanding of history, particularly Poland’s struggles under totalitarian regimes, lends authenticity to his latest film, echoing the current societal fractures in the U.S.

*Anniversary* kicks off with a delightful mix of humor and tension. The relationship between Joosh (Dylan O’Brien) and his new girlfriend, Liz (Phoebe Dynevor), brings unexpected friction to the family during his parents’ anniversary celebration. Liz’s secret past as a student of Joosh’s mother, Ellen (Diane Lane), adds complexity to the encounter, setting the stage for escalating conflict.

Ellen’s fierce reaction to Liz stems from a thesis she once dismissed. It proposed a one-party system for America—ideas that are disturbingly becoming mainstream. Ellen’s unease grows as Liz’s ideology resonates with many, hinting at a shift that could threaten democracy.

Recent statistics show a rise in acceptance of authoritarian ideas among younger Americans. A survey from the Pew Research Center indicated that nearly one in four Gen Z respondents believe it may be necessary for a strong leader to bypass Congress for the country’s well-being. This shift mirrors the film’s themes, where fringe theories gain traction and reshape societal norms.

Komasa adeptly controls the movie’s tone. What begins as a comedic take on family dynamics evolves into a chilling examination of how easily ideologies can ensnare individuals. The family becomes a battleground, divided by Liz’s ideological grip as they face a reality echoing the frightening trends of political extremism.

The film doesn’t shy away from the uncomfortable truths. It forces viewers to confront how politics can corrupt even the most principled individuals. As family bonds stretch toward breaking, Ellen realizes the gravity of Liz’s influence. It raises questions about compliance and survival in a society where dissent may become dangerous.

As the film unfolds, Komasa weaves a narrative that’s both cautionary and reflective. It captures the fear of a future where thoughtful discourse is overshadowed by echo chambers and extremist views. With Ellen’s family in turmoil, the stark reality of choosing between safety and personal beliefs looms larger.

Diane Lane delivers a standout performance as a mother torn between her values and her family’s safety. Her chemistry with Kyle Chandler, playing the “moderate” figure in the family, brings added depth to their relationship. This internal conflict makes the film resonate on a personal level, illustrating the challenges of standing up against the tide of authoritarianism.

By the end, *Anniversary* emerges not just as a narrative about a family but also as an essential commentary on contemporary America. It captures a moment where the battle for ideas feels all too pertinent. Komasa’s insightful approach forces audiences to contemplate the fragility of democracy and the human cost of ideological allegiance.

In a world increasingly grappling with the threats posed by totalitarian thought, *Anniversary* serves as both a mirror and a warning. It encourages viewers to think critically about the narratives they consume and the ideologies they embrace. In this riveting portrayal, Komasa invites us to reflect on our own beliefs and the paths we choose—before it’s too late.

Grade: A

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