In today’s world, it seems kids prefer posters of politicians over punk rockers. The Hacienda isn’t what it used to be. Charlie Rocket (Maddie Hasson) and her brother Bats (Tomaso Sanelli) are about to pull off a robbery. Charlie wears a chicken mask, while Bats dons a wolf mask. But he’s unprepared for the violence that Charlie casually unleashes. Despite this, there’s a tenderness in Bats, even during troubling deeds. He struggles to keep up with his sister, who moves through life at her own pace.
The film’s title centers around Henry Violence (Rohan Campbell), a jittery punk with a rebellious spirit, as seen by the bold word “fuck” emblazoned on his leather jacket. Henry returns to town after a mysterious absence, hoping to rekindle his romance with Charlotte (Sarah Grey). However, Charlotte’s heart belongs to drugs rather than Henry, and she’s not interested in leaving her current life behind.
Determined to win Charlotte back, Henry seeks out Jimmy Jazz (Joris Jarsky), a former connection who now reigns over a declining empire from his lair at the Hacienda. He’s the target of Charlie’s revenge plot, although she hesitates to divulge her plans fully. Soon, their worlds collide amidst a backdrop of gangsters and assassins looking to capitalize on the chaos.
This film may have sounded great on paper and got a positive response at Frightfest during the Glasgow Film Festival. It has a nostalgic “Warriors, come out to play!” vibe but falls short in execution. Despite some stunning visuals and an excellent soundtrack, the film struggles with pacing. At 84 minutes, it feels longer than necessary.
Both Campbell and Hasson deliver strong performances. The lack of gender constraints allows female actors to explore deeper, more interesting roles. However, the characters lack development, and while there are some action scenes, they can feel awkward. The dialogue doesn’t quite hit the mark either, leaving occasional campy moments feeling forced. Despite having all the right ingredients, “Violence” ultimately feels undercooked.
Interestingly, the film reflects a growing trend in cinema. Reports show that audiences are leaning towards narratives that blend retro aesthetics with modern themes. Critics have pointed out that while nostalgia can be powerful, it doesn’t always guarantee a compelling story. As society evolves, so do our tastes in film, prompting creators to find new ways to engage viewers. This film, while packed with potential, serves as a reminder of how crucial character depth and pacing are in storytelling.
For more insights on film trends and audience preferences, check out this [report](https://www.theverge.com/2023/2/film-trends-audiences-satisfaction-2023). You can dive deeper into how filmmakers can capture contemporary audiences while maintaining a nod to the past.
