Unraveling ‘Soothravakyam’: A Captivating Mystery Thriller with Shine Tom Chacko and Vincy Aloshious – A Review of Its Plot and Potential

Soothravakyam: A Movie Review

Watching Soothravakyam, I was struck by the untapped potential of Shine Tom Chacko. He does well in serious, layered roles, showing a depth that surpasses his typical eccentric performances. This film, directed by Eugien Jos Chirammel, shines a light on that talent, even if the overall execution is uneven.

At the heart of the story is Christo Xavier, played by Shine. He’s both a police officer and a math tutor. His students adore him, much to the jealousy of Nimisha, a teacher who notices her pupils are losing interest in her classes. Their initial clash softens as they realize they both care for the kids.

Set in a village in Palakkad, the movie starts off light but soon dives into darker themes. Arya, a key character, lives in fear of her abusive older brother, Vivek. The tension escalates when he lashes out at her boyfriend, Akhil, leading to a pivotal moment in the story where violence effects a turning point.

The film feels a bit rough around the edges at times. While Eugien keeps it somewhat together technically, the writing often falters. We don’t really understand why Christo is so beloved by his students. The emotional hooks that make teacher-student bonds memorable—like those seen in classics such as Dead Poets Society—are missing here.

As the plot shifts toward thriller territory, Eugien’s writing slightly improves, but still leans on cliché elements. A murder in the village ties into the lives of the main characters, but the suspense feels underwhelming due to a lack of depth in character development.

While support characters like Nimisha and Vivek could add layers, they come off as one-dimensional. Even Akhil, affected deeply by trauma, lacks emotional depth. A rare bright spot is the romance between Arya and Akhil, which avoids cringe-worthy tropes and feels genuine for their age.

Despite its flaws, the film isn’t dull. Eugien wraps it up tightly, providing a solid, if not groundbreaking, experience. The graphic nature of Arya’s abuse may be triggering, yet it doesn’t glorify violence unnecessarily.

A standout moment includes Christo teaching children at a juvenile home, capturing the essence of rehabilitation and hope.

Chacko’s acting solidifies his position as a capable actor, but Vincy Aloshious feels lost in her role. Anagha Annet shines as Arya, beautifully capturing both joy and pain. The background score by Jean P Johnson adds emotional weight, although the songs miss the mark.

In summary, Soothravakyam has its moments but struggles to hit all the right notes. While it earns a two-star rating, it also showcases the importance of storytelling that resonates, blending entertainment with meaning.

For further context, films tackling similar themes often emphasize emotional depth and character relationships, which is an area Soothravakyam could have explored more. If you’re curious about the director’s vision, you can find the trailer here.

Overall, Soothravakyam may not be perfect, but it has moments worth watching for fans of thought-provoking drama.

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